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We are all broken. It's a unified human experience. And we all need a hope that doesn't disappoint, a love that anchors us, joy that survives in unthinkable conditions, and a perspective shift that goes beyond our circumstances. Some days we feel the perfection of sunshine and a light breeze. Other days hold wet, gray skies with drowning grief. In the wake, comes promise of new growth. Still other days a cold winter frost catches us by surprise, halting our journey toward fruitful blooms. We step back, reeling at the damage from this frost. We question the system and environment we grow in. We can exist in this garden dictated by the changing weather patterns. Or, we can see a different kind...
"Literature's Children offers a new way of thinking about how literature for children functions didactically. It analyses the nature of the practical critical activity which the child reader carries out, emphasising what the child does to the text rather than what he or she receives from it. Through close readings of a range of so-called 'Golden Age' novels for children which continue to shape our understanding of what children's literature entails, including The Railway Children, The Wind in the Willows, The Hobbit, and mid-20th-century series fiction, it demonstrates how the child critic resists the processes of idealisation at work in such texts. By bringing together ideas from literary theory and the philosophy of education, drawing in particular on the work of the philosopher John Dewey, it provides a compelling new account of the complex relationships between literary aesthetics and literary didacticism"--Provided by publisher.
JOY! It's YOUR choice. Every day! A quick inspirational read every morning will have you on your way to discover moments of joy each day.
Louise tells the story of how a near fatal pneumonia as an NHS GP and mother of two transformed her life and way of thinking about health. In this personal narrative of how she ‘had it all’ and then nearly lost it, she explains how she sought even better health after her recovery.
Reading Television was the first book to push the boundaries of television studies beyond the insights offered by cultural studies and textual analysis, creating a vibrant new field of study. Using the tools and techniques in this book, it is possible for everyone with a television set to analyze both the programmes, and the culture which produces them. In this edition, Hartley reflects on recent developments in television studies, and includes suggestions for further reading. His new foreword underlines the continuing relevance of this foundational text in the study of contemporary culture.
Deep beneath the sea off the cold Irish coast, Gaia is a young mermaid who dreams of being human... but at what terrible price? Hans Christian Andersen's dark original fairy tale is reimagined through a searing feminist lens, with the stunning, scalpel-sharp writing and world building that has won Louise her legions of devoted fans.
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For fans of Marian Keyes, Dolly Alderton and Holly Bourne, ALMOST LOVE is one of the most addictive and heartbreaking reads of the year 'Compulsive' Sunday Times 'Breaks another boundary' Irish Times 'A must-read' Image 'Honest and poignant' Elle 'Intelligent and compelling' Daily Mail When Sarah falls for Matthew, she falls hard. So it doesn't matter that he's twenty years older. That he sees her only in secret. That, slowly but surely, she's sacrificing everything else in her life to be with him. Sarah's friends are worried. Her father can't understand how she could allow herself to be used like this. And she's on the verge of losing her job. But Sarah can't help it. She is addicted to being desired by Matthew. And love is supposed to hurt. Isn't it?
In this “entertaining and moving” (Kirkus Reviews) middle grade novel that’s perfect for fans of Tim Federle and Gordon Korman, Zadie is determined to spend the summer helping at the community theater—but things go hilariously awry! Zadie loves Tae Kwon Do, comic books, and outer space. She also loves visiting the community theater that her mom runs, especially the lighting grid over the stage and the stage manager’s booth, which is filled with levers and buttons like a spaceship control panel. So when the family’s finances suffer a blow and Zadie has to give up her usual activities to spend the summer at the theater, she doesn’t mind too much. After all, she’s always wanted to tech a show. She knows she’d be great at it, but her mom and the new stage manager are totally opposed to the idea of having a kid do tech. Instead, Zadie’s stuck handing out snacks and folding flyers. But the future of the theater rides on this show, and Zadie is determined to help. She’s going to make Spinderella the hit of the season—unless she accidentally turns it into a disaster.