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This book constitutes the proceedings of the 4th International Conference on Technologies and Innovation, CITI 2018, held in Guayaquil, Ecuador, in November 2018. The 21 full papers presented in this volume were carefully reviewed and selected from 64 submissions. They are organized in topical sections named: ICT in agronomy; software engineering; intelligent and knowledge-based systems; e-learning.
Frida Kahlo, Mexican artist and champion of justice and women's rights, transformed the pain and suffering of her life into enduringly powerful paintings. This XXL monograph brings together all of Kahlo's 152 paintings in stunning reproductions.
"Straightforward and brief biographical sketches of 29 women including Doäna Marina, Juana Inâes de la Cruz, Manuela Sâaenz, and Leopoldina of Brazil"--Handbook of Latin American Studies, v. 58.
Movements After Revolution is a history of the people's movements in the aftermath of the Mexican Revolution of 1910-20 that brought together industrial workers and rural communities to fight for a vast array of demands and diverse forms of justice.
This book provides a comprehensive cultural and historical account of the key film policies put into place by the Spanish state between 1980 and 2010 through a gendered lens, framing these policies within the wider context of European film legislation. Departing from the belief that there is no such thing as an objective and value-neutral approach to policy analysis because our society is organised around gender, this volume builds upon Pierre Bourdieu’s theory of field to propose that film policies do not emerge in a vacuum because they respond to different demands from those agents involved in the field of the Spanish cinema. By so doing, it critically assesses how these policies have come into being, by whom, in response to what interests, how they have shaped the Spanish film industry, and how far and in what ways they have tackled gender inequality in the Spanish film industry. This book will be of great interest to scholars and students of Spanish cinema, gender studies, film industry studies, film policy, and feminist film studies.
Examining women writers from Brazil, Argentina, Chile, Peru, and Colombia, this book traces the contradictions inherent in revolutionary movements that, while arguing for the rights of all, remained ambivalent, at best, about the place of women. It reveals the complex role of women in shaping the vexed ideologies of independence.
Frank John Fiala (1831-1917), a son of Mathew Fiala and Francis Hlouch, was born in Moravia, now part of Czechoslovakia. He married Katherine Fruehauf (1832-1910), a daughter of Vincent Fruehauf and Victoria Sedlak, ca. 1861. They had six children. The family immigrated to the United States in 1880, eventually settling in Nebraska. Many descendants live in other states as well.