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The New Poetry: An Anthology
This anthology of poetry showcases some of the finest works of 20th-century poets, who embodies a style called The New Poetry, which as described by the editors, "It set before itself an ideal of absolute simplicity and sincerity—an ideal which implies an individual, unstereotyped diction; and an individual, unstereotyped rhythm." Poets featured in this book include T. S. Eliot, Edna St. Vincent Millay, and Rabindranath Tagore.
The Maunsel Poets, 1905-1926
In the thirty years covered by this anthology, Maunsel & Co. published many major Irish poets who are part of the master narrative (Yeats, Gregory, Stephens etc.) but also 500 separate inclusions by lesser known or unknown poets. Professor Gardiner, head of Irish Studies at Creighton University, has rediscovered some important voices from the Celtic Twilight and reassesses their importance in light of Irish literary development.
Buffoonery in Irish Drama
Generations of Irish playwrights have tried to assert the reputation of the stage Irish figure as other than comic, but each effort was in its turn assailed as buffoonery. Using post-colonial and performative theory, Buffoonery in Irish Drama demonstrates the ways the Irish struggled to create a sense of identity in a colonial structure, and it explores the distortion and appropriation of that new identity that elicit further calls to eradicate negative stereotypes. Demonstrating the pervasiveness of the reclamation efforts, Buffoonery in Irish Drama covers a wide range of well-known and obscure plays to show the trajectory of twentieth-century drama that brings us into a globalized twenty-first-century Ireland.
Contemporary Ireland
This book examines the cultural and political landscape of Ireland in the early 20th century, with a focus on the struggle for independence and the emergence of a distinct Irish identity. Drawing on a range of sources from literature to politics, this book provides a compelling portrait of a nation in transition. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Irish Eclogues
Irish Eclogues is a collection of pastoral poetry that captures the essence of rural life in Ireland. Written by Edward MacLysaght, the poems are a celebration of the Irish countryside and its people, their customs, and their traditions. This book is a treasure trove of Irish folklore and a poignant testament to the beauty of the natural world. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
If the Germans Conquered England, and Other Essays
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Fathers and Sons at the Abbey Theatre (1904-1938)
Fathers and Sons at the Abbey Theatre demonstrates how the literary archetype of the clash between fathers and sons and the subsequent depiction of anti-oedipal figures become a major concern for the playwrights writing in a specific and crucial moment of Irish history (1904-1938). The father can be conceived both as a historical / political metaphor as well as a real father in a specific historical and social context. The classical models employed as theoretical tools to nuance the argument--Laius and Oedipus, Ulysses and Telemachus, Aeneas and Anchises, Priam and Hector, Hector and Astyanax--are challenged by the Christian example of Abraham and Isaac, subversively adjusted by Yeats to pro...
