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Studienarbeit aus dem Jahr 2022 im Fachbereich Pädagogik - Sonstiges, Note: 1,3, Christian-Albrechts-Universität Kiel (Institut für Neuere deutsche Literatur und Medien), Veranstaltung: Schule und Theater, Sprache: Deutsch, Abstract: Diese Arbeit befasst sich mit Möglichkeiten zur Förderung von Partizipationskompetenz. Hierfür wird zunächst der aktuelle Forschungsstand zur Partizipation mit jenem über das "Theater der Unterdrückten" verknüpft und um die Dimension schulischer Bildung erweitert. Die zentrale Frage richtet sich auf das Potenzial des "Theaters der Unterdrückten" unter dem Aspekt der Partizipationskompetenz.
Two scientists, Reitz Steyn and Ben Maritz, find themselves in a "transit camp for those temporarily and permanently unfit for battle" during the Boer War. Captured on suspicion of desertion and treasonùduring a trek across an unchanging desert of bushes, rocks, and ant hills to help transport a fellow-soldier, who has suffered debilitating shell-shock, to his motherùthey are forced to await the judgment of a General Bergh, unsure whether they are to be conscripted into Bergh's commando, allowed to continue their mission, or executed for treason. As the weeks pass, and the men's despair at ever returning to their families reaches its peak, they are sent on a bizarre mission ... A South African Heart of Darkness, Ingrid Winterbach's To Hell with CronjT is a poetic exploration of friendship and camaraderie, an eerie reflection on the futility of war, and a thought-provoking re-examination of the founding moments of the South African nation.
Met Katriena het Riana Scheepers ’n onvergeetlike karakter geskep wat almal in Suid-Afrika laat lag het - vir onsself. En nou is die ontstuitbare Katriena terug met nóg meer kwinkslae en stories.
When Michiel Steyn returns to the family farmstead in South Africa for his mother's funeral, he has spent close to half his lifetime abroad. But even after 15 years' absence, neither Michiel nor those left behind have truly come to terms with his terrible flight from the farm they called Paradise.
A middle aged lexicographer, Helena, travels alone to Durban to assist in the creation of a dictionary of Afrikaans words that have fallen out of use. Shortly after her arrival, her flat is burgled and her precious lifetime's collection of shells is stolen. Meeting with indifference from the local police, she decides to investigate the crime on her own, with the help of her new friend Sof who works at the Museum of Natural History. While investigating the crime, Helena reflects on her life and her ex husband, daughter, childhood and her married boss who she is falling for.
"This ... collection contains the real-life love stories of 27 South African couples."--Back cover. Contains articles on: Nelson Mandela and Winnie Madikizela-Mandela; F.W. and Elita de Klerk; Albie Sachs and Vanessa September; Jan and Isie Smuts; Theunis and Tibbie Steyn; Koos and Nonnie de la Rey; Desmond and Leah Tutu; Allan and Elna Boesak; Beyers and Ilse Naudé; Laurie Gaum and Douw Wessels; N.P. van Wyk Louw and Truida Pohl; Ingrid Jonker and Jack Cope; Eugène Marais and Lettie Beyers; Jan Rabie and Marjorie Wallace; Carina Diedericks and Daniel Hugo; A.G. Visser and Marie de Villiers; Jackie and Vera Nagtegaal; Carina Stander and Gerrit van Niekerk; Carika Keuzenkamp and Olaus van Zyl; Des and Dawn Lindberg; Jim Bailey and Barbara Epstein; Albert of Monaco and Charlene Wittstock; Amy Kleinhans and Leighton Curd; Anné Mariè de Preez Bezdrob and Armin Bezdrob; Christiaan Barnard and Barbara Zoellner; Edoardo and Claire Villa; Philip Boyd and Phyllis Spira.
"They say that the eldest of the chief's daughters..." So begins a tale from the Basotho, unfolded by the meager light of a dung fire that burns smokily behind the reed screen sheltering the entrance of the hut. The old ones of the tribe wait until dark before telling their stories, for everyone knows horns will grow from the head of one who tells a story during daylight hours. Tales from the Basotho abounds with elements familiar to folk narrative. The heroes and heroines are the chiefs and their wives, their sons and their daughters. Fantastic creatures frequent the narratives. exhibiting their awful powers. Rustic peace and beauty pervade the stories, as Minnie Postma amply demonstrates i...
Hoekom word middeljarige mans in hulle huise tereggestel, ná hulle SKULDIG in hulle eie bloed teen die muur moes skryf? Hoeveel name is op die moordenaar se lys? Steyn volg hiermee sy misdaadroman Donker spoor op.
In the wild night hours, or during the heat of the day - whenever man's thoughts whirl feverishly - then truth and fantasy, the past and the future, life and death are indiscriminately mingled on Toorberg, home of the Moolman family. So the magistrate is to learn as he investigates the strange circumstances of the death of little Noah, child of grief, who was not entirely of this world. Every day the case becomes more complex, until it challenges the very foundations of the law. It seems as if the magistrate will have to judge an entire dynasty, both the living and the dead. Everyone's guilt has to be affirmed, or denied, and this means he will have to rip open the lives of all. The Moolmans are a tribe who have long since learned how to deal with their own. Parents cut children out of their lives, shunt them aside to live as stepchildren, scrag-ends of the clan, or as city-dwellers whose names are never uttered. The Moolmans cannot forgive; not when their tribal blood is betrayed.