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Handbook of Research on Emerging Technologies for Architectural and Archaeological Heritage
Cultural heritage is a vital, multifaceted component of modern society. To better protect and promote the integrity of a culture, certain technologies have become essential tools. The Handbook of Research on Emerging Technologies for Architectural and Archaeological Heritage is an authoritative reference source for the latest scholarly research on the use of technological assistance for the preservation of architecture and archaeology in a global context. Focusing on various surveying technologies for the study, analysis, and protection of historical buildings, this book is ideally designed for professionals, researchers, upper-level students, and practitioners.
Digital Wood Design
This book explores various digital representation strategies that could change the future of wooden architectures by blending tradition and innovation. Composed of 61 chapters, written by 153 authors hailing from 5 continents, 24 countries and 69 research centers, it addresses advanced digital modeling, with a particular focus on solutions involving generative models and dynamic value, inherent to the relation between knowing how to draw and how to build. Thanks to the potential of computing, areas like parametric design and digital manufacturing are opening exciting new avenues for the future of construction. The book’s chapters are divided into five sections that connect digital wood design to integrated approaches and generative design; to model synthesis and morphological comprehension; to lessons learned from nature and material explorations; to constructive wisdom and implementation-related challenges; and to parametric transfigurations and morphological optimizations.
Digital Modernism Heritage Lexicon
The book investigates the theme of Modernism (1920-1960 and its epigones) as an integral part of tangible and intangible cultural heritage which contains the result of a whole range of disciplines whose aim is to identify, document and preserve the memory of the past and the value of the future. Including several chapters, it contains research results relating to cultural heritage, more specifically Modernism, and current digital technologies. This makes it possible to record and evaluate the changes that both undergo: the first one, from a material point of view, the second one from the research point of view, which integrates the traditional approach with an innovative one. The purpose of ...
Sound Work
The practices and perception of music creation have evolved with the cultural, social and technological contexts of music and musicians. But musical authorship, in its many technical and aesthetic modes, remains an important component of music culture. Musicians are increasingly called on to share their experience in writing. However, cultural imperatives to account for composition as knowledge production and to make claims for its uniqueness inhibit the development of discourse in both expert and public spheres. Internet pioneer Philip Agre observed a discourse deficit in artificial intelligence research and proposed a critical technical practice, a single disciplinary field with “one foo...
Graphical Heritage
This book presents the proceedings of the 18th International Conference on Graphic Design in Architecture, EGA 2020, focusing on heritage – including architectural and graphic heritage as well as the graphics of heritage. This first volume gathers selected contributions covering theories, and new technologies and findings to help shed light on current questions related to heritage. It features original documentation studies on historical archives, 3D and solid representation of architectural objects, as well as virtual graphic representation and applications of augmented reality, all documenting and/or reconstructing the present, past and future of architectural objects. As such, this book offers extensive and timely information to architectural and graphic designers, urban designers and engineers, and industrial designers and historians.
DiAP nel mondo | DiAP in the world – International Vision | Visioni internazionali
International openness is one of the fundamental characteristics of the DiAP Department of Architecture and Design, which sees its members active in 57 bilateral collaboration agreements (without counting the Erasmus agreements) with countries in which today there is a demand for architectural design that looks at Italy as a model, not only for studies of historical architecture, but also for contemporary architecture designed in the existing city and for the new building, including complex landscape and environmental systems.
Disegnare idee immagini n° 48 / 2014
Editoriale di Mario Docci: Disegno ed espressività Editorial by Mario Docci: Drawing and expressivity Stefano Cordeschi Disegnare è facile Drawing is easy Tatiana Kirilova Kirova, Mario Docci Disegno, colore e progetto nelle opere di Guglielmo Mozzoni Drawing, colour and design in works by Guglielmo Mozzoni Leonardo Paris, Maurizio Ricci Osservazioni su un disegno prospettico attribuito a Ottaviano Mascarino Observations about a perspective drawing attributed to Ottaviano Mascarino Sara Riboldi, Jose Fernández-Llebrez Munoz Forme essenziali, colore e paesaggio urbano nel progetto del sacro: la chiesa a Den Haag di Aldo van Eyck Essential forms, colour and the urban landscape in sacred des...
La Scarzuola tra idea e costruzione
Questo lavoro nasce dall’esigenza di riportare l’attenzione su alcune esperienze architettoniche rilevanti del secolo scorso, colpevolmente trascurate da una critica troppo spesso concentrata su vicende già note. Agli inizi del secolo scorso, per un periodo che si è protratto fino al secondo dopoguerra, Modernismo e Razionalismo hanno catturato l’attenzione della critica mettendo in ombra quelle rare ma preziose voci fuori dal coro che in numerose occasioni ci hanno offerto prove di altissima qualità, seppur controcorrente o per certi versi anacronistiche. Una di queste voci è certamente quella di Tomaso Buzzi: disegnatore fecondo, architetto instancabile e grandissimo interprete d...
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Elogio della teoria. Identità delle discipline del disegno e del rilievo
Il tema di questo XXXIV Convegno deiDocenti delle discipline della rappresentazione è tutto incentrato sul-le teorie dell’area della rappresentazione, con la speranza che in que-sto difficile momento di transizione dell’Università italiana e, di con-seguenza, della nostra Comunità scientifica, i lavori qui raccolti pos-sano contribuire a quel processo di identificazione delle nostre disci-pline e della nostra area culturale che si è auspicato in principio. [Riccardo Migliari] The theme of this XXXIV Conference of the teachers of the repre-sentation disciplines is all focused on the theories of the field of rep-resentation, with the hope that in this difficult transition phase of theItalian University and, consequently, of our scientific Community, theworks here collected may contribute toward the process of identifica-tion of our disciplines and of our Cultural area, that was auspicated atthe beginning. [Riccardo Migliari]
