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This book is a critique of Dalit theology, leading to proposals for the future directions of a theology of social transformation in India. Dalit theology has ruled the roost for the last forty years in the Indian theological landscape. It has captivated the theological imagination in India in spite of other theological movements, like tribal theology, green theology, and so on, which are relatively recent and have had little impact. Despite the dominance of Dalit theology, in the last decade many writers have questioned its social impact and theological efficacy. This book takes advantage of the critique to make some proposals for doing a theology of social transformation in India. It explores new ways of doing Christology, pneumatology, and ecclesiology. In addition, it argues for the need of a public theology in the changing religious-political scenario in India.
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The Drama of Fallen France examines various dramatic works written and/or produced in Paris during the four years of Nazi occupation and explains what they may have meant to their original audiences. Because of widespread financial support from the new French government at Vichy, the former French capital underwent a renaissance of theatre during this period, and both the public playhouses and the private theatres provided an amazing array of new productions and revivals. Some of the plays considered here are well known: Anouilh's Antigone, Sartre's The Flies, Claudel's The Satin Slipper. Others have remained obscure, such as Cocteau's The Typewriter, Giraudoux's The Apollo of Marsac, and Mo...