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Mind and Body
A subtly linked series of stories that chronicle two generations of a family from the Depression to World War II to the Vietnam War to the present. Characters include a jazz trumpeter, a Ukrainian teenager taken by the Nazis for slave labor in Germany, soldiers from World War II and the Vietnam War, and a strange crew of college professors and their wives from a small college in the Midwest. Lucas Carpenter's stories have appeared in Berkeley Fiction Review, Short Story, The Crescent Review, Nassau Review, The Chattahoochee Review, and South Carolina Review. He is also the author of three collections of poetry, one book of literary criticism, and many poems, essays, and reviews published in more than twenty-five periodicals, including Prairie Schooner, The Minnesota Review, College Literature, Beloit Poetry Journal, Kansas Quarterly, Carolina Quarterly, Concerning Poetry, Poetry (Australia), Southern Humanities Review, College English, Art Papers, San Francisco Review of Books, Callaloo, Southern History Journal, and New York Newsday. He is Charles Howard Candler Professor of Humanities Emeritus at Emory University.
The Way Things Go
"The Way Things Go: And Other Poems": is a collection of poetry about travels to Israel and other places, and includes reflections on a variety of other topics. Many of these poems have appeared in a wide variety of different journals.
Mind and Body
A subtly linked series of stories that chronicle two generations of a family from the Depression to World War II to the Vietnam War to the present. Characters include a jazz trumpeter, a Ukrainian teenager taken by the Nazis for slave labor in Germany, soldiers from World War II and the Vietnam War, and a strange crew of college professors and their wives from a small college in the Midwest.
The Way Things Go
The Way Things Go: And Other Poems: is a collection of poetry about travels to Israel and other places, and includes reflections on a variety of other topics. Many of these poems have appeared in a wide variety of different journals.
Selected Letters of Fletcher (c)
John Gould Fletcher, the Pulitzer Prize-winning poet and essayist, was a prolific correspondent who, during the course of his life, wrote hundreds of letters to such literary luminaries as Harriet Monroe, T. S. Eliot, Amy Lowell, Conrad Aiken, H. D., John Crowe Ransom, Allen Tate, and Donald Davidson. Because he was prominent in both the Imagist and Fugitive-Agrarian groups, Fletcher's letters offer a unique insight into the many crosscurrents and personalities that characterize the Modernist movement. Included here are also letters that shed light on the composition of Fletcher's own works, on his influential theories of poetry and poetics, and on the many conflicts and conjunctions that arose between Fletcher and his contemporaries in the course of a writing career that spanned nearly four decades. Leighton Rudolph's introduction to this astutely selected correspondence presents a valuable overview of Fletcher's life. With this volume, the entire John Gould Fletcher Series from the University of Arkansas Press is completed.
Selected Poems of John Gould Fletcher
A Pulitzer Prize winner best known as an imagist, John Gould Fletcher experimented with every facet of Modernist poetry and influenced poets in both England and the United States. this is the first collection to span his entire career, and brings again to the public eye work that has been unavailable for thirty-five years. Fletcher is responsible for introducing Ezra Pound to French symbolism, and Amy Lowell to “polyphonic prose,” and his connection with the Southern Fugitive Agrarian movement adds to his significance as the first modern Southern poet. The editors have chosen representative works for his many stages of development and discuss in the introduction Fletcher’s influence on the better-known modernists. Selected Poems of John Gould Fletcher is the first n a series of books by or about Fletcher to fill an important space in home and public libraries with American literature collections.
Arkansas
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Screening American Independent Film
This indispensable collection offers 51 chapters, each focused on a distinct American independent film. Screening American Independent Film presents these films chronologically, addressing works from across more than a century (1915−2020), emphasizing the breadth and long duration of American independent cinema. The collection includes canonical examples as well as films that push against and expand the definitions of "independence." The titles run from micro-budget films through marketing-friendly Indiewood projects, from auteur-driven films and festival darlings to B-movies, genre pics, and exploitation films. The chapters also introduce students to different approaches within film studi...
Chariton Review 41.1
Chariton Review Spring/Summer 2018
