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Asymmetrical-Motion
Lucas Condró and Pablo Messiez gather in this essay a set of notes on pedagogy and movement, result from their long experience giving workshops on the work with the body. English version by Carlota Gaviño .
Choreographing the North
Choreographing the North examines 11 contemporary dance pieces that perform northern culture, landscape, folklore, and ideas of "North." The choreographers, from Canada, the United States, the United Kingdom, Belgium, Luxembourg, Australia, and Argentina, translate their real or imagined journeys to the North for stage and/or screen. This book examines the ways Indigenous subjects and subjectivities have been diminished and/or distorted and considers how that diminishment has fuelled misrepresentation both inside and outside the field of contemporary dance. Where Indigenous presence is represented in dances about the North, it is as discarnate storytellers or “everyman” pastoral figures ...
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Asymmetrical-Motion/Clases
De una palabra puede emerger un cuerpo y, de ahí, muchos más. Si esa palabra es «bailar», su significado parece inmediato. Pero visto más de cerca, se oscurece. Es necesario un gesto de precisión para experimentar qué implica «bailar». En Asymmetrical-Motion/Clases, de Lucas Condró, asistimos a ese gesto, delicado y riguroso. El libro recoge una vida de investigación y enseñanza, donde se concibe el espacio-tiempo llamado «clase» como una obra de arte en sí. Para esto, se puntualizan aspectos pedagógicos a través de cuatro o cinco nociones: «bailar-experimentar», «observar», «nombrar», «incorporar». Una caja de herramientas abierta, una ingeniería poética del movimiento. Ahora, bailar puede ser sinónimo de leer; y la sensación de un pie, un pensamiento.
Current Catalog
First multi-year cumulation covers six years: 1965-70.
The Private Joys of Nnenna Maloney
SHORTLISTED FOR THE DESMOND ELLIOTT PRIZE 2020 'A magnificent novel, full of wit, warmth and tenderness' Andrew McMillan 'Smart, serious and entertaining' Bernardine Evaristo How do you begin to find yourself when you only know half of who you are? As Nnenna Maloney approaches womanhood she longs to connect with her Igbo-Nigerian culture. Her once close and tender relationship with her mother, Joanie, becomes strained as Nnenna begins to ask probing questions about her father, who Joanie refuses to discuss. Nnenna is asking big questions of how to 'be' when she doesn't know the whole of who she is. Meanwhile, Joanie wonders how to love when she has never truly been loved. Their lives are fil...
