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“A taut, incisive drama” (New York Times), Red Speedo is the Obie Award–winning play by Lucas Hnath, the Tony Award–nominated playwright of A Doll’s House, Part 2. Ray’s swum his way to the eve of the Olympic trials. If he makes the team, he’ll get a deal with Speedo. If he gets a deal with Speedo, he’ll never need a real job. So, when someone’s stash of performance-enhancing drugs is found in the locker-room fridge, threatening the entire team’s Olympic fate, Ray has to crush the rumors or risk losing everything. Red Speedo is a sharp and stylish play about swimming, survival of the fittest, and the American dream of a level playing field—or of leveling the field yourself.
To understand light and optics better, young Isaac Newton inserted a long needle "between my eye and the bone, as near to the backside of my eye as I could." Why take such a risk? Lucas Hnath reimagines the contentious, plague-ravaged world Newton inhabited in ISAAC'S EYE, exploring the dreams and longings that drove the rural farm boy to become one of the greatest thinkers in modern science.
The thin place is a place where the line between this world and another one is very thin; where the living and the dead can reconnect. Ever since she was a little girl, Hilda tried to make contact with that "other place" by listening very carefully, not with her ears but with the space just behind and a little above her eyes. She was never all that sure that the things she could hear were real, until she met Linda, a professional psychic, who can talk to the dead. That's what Hilda wants to do, and so she befriends Linda. But as their friendship deepens, Linda unveils some uncomfortable truths. The Thin Place is a horror story about what's really going on in the space just behind and a little above your eyes.
Pastor Paul does not believe in Hell, and today, he's going to preach a sermon that finally says what he really believes. He thinks all the people in his church are going be happy to hear what he has to say. He's wrong.
"Enjoyably weird . . . nothing that ever came out of the Magic Kingdom was this animated." -- Time Out NY
Typescript draft, dated 5-18-12. Unmarked script of a play that received its world premiere in the 2012 Hunana Festival of New Plays at the Actors Thatre of Louisville.
A big-little play about faith in America--and the trouble with changing your mind.
“Smart, funny and utterly engrossing…This unexpectedly rich sequel reminds us that houses tremble and sometimes fall when doors slam, and that there are living people within, who may be wounded or lost…Mr. Hnath has a deft hand for combining incongruous elements to illuminating ends.” —Ben Brantley, New York Times It has been fifteen years since Nora Helmer slammed the door on her stifling domestic life, when a knock comes at that same door. It is Nora, and she has returned with an urgent request. What will her sudden return mean to those she left behind? Lucas Hnath’s funny, probing, and bold play is both a continuation of Ibsen’s complex exploration of traditional gender roles, as well as a sharp contemporary take on the struggles inherent in all human relationships across time.
In an alternate universe light-years away from our own is a planet called Earth. It looks a lot like our Earth, except it’s slightly different. And living on this other Earth is a woman named Hillary. Hillary is trying to become the president of a country called the United States of America. It’s 2008 and she’s campaigning in a state called New Hampshire. She’s not doing very well in the polls. She needs more money to keep the campaign going, so she calls her husband for help. He offers her a deal, a tough deal, but when she gets his help, she gets more than she bargained for. You may think you know where this story is going, but you don’t. After all, the play takes place in an alternate universe where anything can happen.
For the last twenty years, Pastor Paul has been building his church. Starting in a modest storefront, he now presides over a flock of thousands. Idolised by his followers, today should be a day for joy and celebration. But the sermon that Paul is about to preach will shake the very foundations of his followers' beliefs. As fractures spread throughout his congregation, Paul must fight to prevent his church from tearing itself apart. Lucas Hnath's play The Christians is a remarkable exploration of faith and community in the modern world, asking profound questions about what we believe and why. Featuring a community choir, the play had its UK premiere at the Traverse Theatre, Edinburgh, as part of the 2015 Edinburgh Festival Fringe, where it received a Scotsman Fringe First Award. It was a co-production with the Gate Theatre, London, where it subsequently transferred.