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This book explores what mapping meant in the psat and how its meanings have altered. The authors investigate mappings of terrestrial space on a large scale; mapping and localism; personal mappings on and of the human body; cosmographic or imaginary mappings beyond the scale of direct earthly experience.
Among the most beautiful and compelling works of Renaissance art, painted maps adorned the halls and galleries of princely palaces. This book is the first to discuss in detail the three-dimensional display of these painted map cycles and their full meaning in Renaissance culture. Art historian Francesca Fiorani focuses on two of the most significant and marvelous surviving Italian map murals--the Guardaroba Nuova of the Palazzo Vecchio, Florence, commissioned by Duke Cosimo de’ Medici, and the Gallery of Maps in the Vatican, commissioned by Pope Gregory XIII. Both cycles were not only pioneering cartographic enterprises but also powerful political and religious images. Presenting an original interpretation of the interaction between art, science, politics, and religion in Renaissance culture, the book also offers fresh insights into the Medici and papal courts.
Offering a corrective to the common scholarly characterization of seventeenth-century Dutch landscape painting as modern, realistic and secularized, Boudewijn Bakker here explores the long history and purpose of landscape in Netherlandish painting. In Bakker's view, early Netherlandish as well as seventeenth-century Dutch painting can be understood only in the context of the intellectual climate of the day. Concentrating on landscape painting as the careful depiction of the visible world, Bakker's analysis takes in the thought of figures seldom consulted by traditional art historians, such as the fifteenth-century philosopher Dionysius the Carthusian, the sixteenth-century religious reformer...
Practising Places offers an original insight into the culture of early modern Spain in so far as the various fields explored here are seldom juxtaposed. Literary texts, urban views and paintings are analysed side by side in a hybrid cultural interpretation that is as cartographic as it is architectural, historical or literary. This book presents a “thick” description which focuses on the first picaresque novel, Lazarillo de Tormes, the autobiographical writing of Teresa of Avila, and the urban views of Spanish towns drafted or painted by Joris Hoefnagel, Anton Van den Wyngaerde and El Greco. These works embody and challenge the sense of grandeur and subsequent notion of crisis, which inhere in the period. In this way, they simultaneously highlight and question the centralism and social control of the absolutist Habsburg rules, illustrating the claim that space is as much a social product as a social producer.
At the turn of the fifteenth century, Rome was a city in transitionparts ancient, medieval, and modern; pagan and Christianand as it emerged from its medieval decline through the return of papal power and the onset of the Renaissance, its portrayals in print transformed as well. Jessica Maier s book explores the history of the Roman city portrait genre during the rise of Renaissance print culture. She illustrates how the maps of this era helped to promote the city, to educate, and to facilitate armchair exploration and what they reveal about how the people of Rome viewed or otherwise imagined their city. She also advances our understanding of early modern cartography, which embodies a delicate, intentional balance between science and art. The text is beautifully illustrated with nearly 100 images of the genre, a dozen of them in color."
Data Visualization for Design Thinking helps you make better maps. Treating maps as applied research, you’ll be able to understand how to map sites, places, ideas, and projects, revealing the complex relationships between what you represent, your thinking, the technology you use, the culture you belong to, and your aesthetic practices. More than 100 examples illustrated with over 200 color images show you how to visualize data through mapping. Includes five in-depth cases studies and numerous examples throughout.
The fourteen essays that comprise this volume concentrate on festival iconography, the visual and written languages, including ephemeral and permanent structures, costume, dramatic performance, inscriptions and published festival books that ’voiced’ the social, political and cultural messages incorporated in processional entries in the countries of early modern Europe. The volume also includes a transcript of the newly-discovered Register of Lionardo di Zanobi Bartholini, a Florentine merchant, which sets out in detail the expenses for each worker for the possesso (or Entry) of Pope Leo X to Rome in April 1513.
Offers new ways to conceptualize the relationship between early modern travel and drama, and re-assesses how travel drama is defined.
A widely recognized and respected authority on French literature, women's writing, feminist theory, and Jewish studies, Elaine Marks wrote groundbreaking books on Collette, Simone de Beauvoir, and Jewish themes in French literature. In Memory of Elaine Marks continues her legacy of rigorous intellectual exploration, enlivening scholarship in diverse areas of thought. The eleven essays in the collection bring together a number of intellectual, political, and ethical domains that were central to Marks's work: pedagogy, feminism, lesbianism, women's auto/biography, Jewish identity, community, memory, mourning, isolation, and death. In their interpretations of works by Marks, Simone de Beauvoir, Hélène Cixous, Philip Roth, Jacques Derrida, Roland Barthes, Saint-Simon, La Bruyère, Marcel Proust, and others, the authors illustrate and engage Marks's existential vision, fearlessly probing the human experience to make sense of how we live, die, and understand both.
How did terms like “Asia,” “Eurasia,” “Indochina,” “Pacific Rim” or “Australasia” originate and evolve, and what are their connections to the built environment? In addressing this question,Architecturalized Asia bridges the fields of history and architecture by taking “Asia” as a discursive structure and cultural construct, whose spatial and ideological formation can be examined through the lenses of cartography, built environments, and visual narratives. The first section, on the study of architecture in Asia from the medieval through early modern periods, examines icons and symbols in maps as well as textual descriptions produced in Europe and Asia. The second secti...