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In this in-depth analysis of artistic and academic lectures and performances, Lucia Rainer features an innovative conceptual and methodological tool that augments Goffman's Frame Analysis with a praxeological perspective. This way, she gives profound insight into how knowledge - as a practice and a concept - is associated with clarity rather than truth. Based on four case studies - including John Cage's unpublished and unabridged audio recording of Lecture on Nothing - the study explores how the concept of lecture performances, which adheres to two frames that never entirely blend, provides a space to (re-)negotiate the artistic-academic relationship.
This book is about dance’s relationship to language. It investigates how dance bodies work with the micromovements elicited by language’s affective forces, and the micropolitics of the thought-sensations that arise when movement and words accompany one another within choreographic contexts. Situating itself where theory meets practice—the zone where ideas arise to be tested, the book draws on embodied research in practices within the lineages of American postmodern dance and Japanese butoh, set in dialog with affect-based philosophies and somatics. Understanding that language is felt, both when uttered and when unspoken, this book speaks to the choreographic thinking that takes place when language is considered a primary element in creating the sensorium.
An engrossing account of the meteoric rise of contemporary philosophy’s most contentious and prolific intellectual. Slovenian philosopher bad boy Slavoj Žižek is one of the most famous intellectuals of our time, publishing at a breakneck speed and lecturing around the world. With his unmistakable speaking style and set of mannerisms that have made him ripe material for internet humor and meme culture, he is recognizable to a wide spectrum of fans and detractors. But how did an intellectual from a remote Eastern European country come to such popular notoriety? In How Slavoj Became Žižek, sociologist Eliran Bar-El plumbs the emergence, popularization, and development of this phenomen...
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This important new book examines contemporary art while foregrounding the key role feminism has played in enabling current modes of artmaking, spectatorship and theoretical discourse. Contemporary Art and Feminism carefully outlines the links between feminist theory and practice of the past four decades of contemporary art and offers a radical re-reading of the contemporary movement. Rather than focus on filling in the gaps of accepted histories by ‘adding’ the ‘missing’ female, queer, First Nations and women artists of colour, the authors seek to revise broader understandings of contemporary practice by providing case studies contextualised in a robust art historical and theoretical basis. Readers are encouraged to see where art ideas come from and evaluate past and present art strategies. What strategies, materials or tropes are less relevant in today’s networked, event-driven art economies? What strategies and themes should we keep hold of, or develop in new ways? This is a significant and innovative intervention that is ideal for students in courses on contemporary art within fine arts, visual studies, history of art, gender studies and queer studies.
Neuroprosthetics is a fast-growing area that brings together the fields of biomedical engineering and neuroscience as a means to interface the neural system directly to prostheses. Advancing research and applications in this field can assist in successfully restoring motor, sensory, and cognitive functions. Emerging Theory and Practice in Neuroprosthetics brings together the most up-to-date research surrounding neuroprosthetics advances and applications. Presenting several new results, concepts, and further developments in the area of neuroprosthetics, this book is an essential publication for researchers, upper-level students, engineers, and medical practitioners.
Issue for 2000 includes also the abstracts of papers presented, in a separately-paged section.
Aufführen, Aufzeichnen und Anordnen sind Kernoperationen von Psychiatrie und Psychotherapie, deren Zusammenspiel die Beiträge dieses Bandes reflektieren. Aus der Art und Weise wie und auf welchen Ebenen diese Praktiken ineinandergreifen und sich wechselweise bedingen, ergeben sich neue Einsichten in eine Mediengeschichte von Psychiatrie und Psychotherapie. Neben Beiträgen von PraktikerInnen versammelt der Band Forschungsansätze der Arts-based inquiry ebenso wie medizin- und wissenshistorische, kultur-, literatur- und medienwissenschaftliche Perspektiven. Auf diese Weise gelingt es, theoretische Fragestellungen anhand historischer Fallanalysen zu erörtern und Verbindungen zu aktuellen Forschungsfragen zu schlagen.
Thirty years ago, the group of Baulieu and colleagues discovered that certain steroid hormones were present in higher amounts in the brain than in the plasma, and also found that suppression of circulating steroids by adrenalectomy and castration did not affect the concentration of pregnenolone, dehydroepiandrosterone and their sulfate esters in the rat brain. These seminal observations led to the concept that the brain, in very much the same way as the adrenal cortex, testis, ovary and placenta, was capable of synthesizing steroids. These brain born steroids, called neurosteroids, have been found to exert a vast array of biological activities. A number of steroidogenic enzymes have now been identified in the central nervous system by immunohistochemistry and in situ hybridization, and the neuronal and hormonal mechanisms regulating the biosynthesis of neurosteroids have been partially elucidated. The aim of this Research Topic is to celebrate three decades of research on neurosteroids by gathering a bouquet of review papers and original articles from leading scientists in the flourishing field of neurosteroids.
Das Prekäre ist nicht erst seit dem Einbruch der weltweiten Ökonomie 2008 ein Brennpunkt gegenwärtiger Existenzen. Wie wird es im Gegenwartstheater aufgegriffen und weiterentwickelt? Diese Studie analysiert Theater-, Tanz- und Film-Aufführungen um die Jahrtausendwende und bedient sich dafür der Methodik des »Überschreibens«. Ausgehend von Ethiken der Begegnung mit dem Anderen und von instabilen Ökonomien erweist sich dabei das Prekäre als ästhetische und ethische Kategorie. Katharina Pewny zeigt, dass die Übertragung des »Ethical Turn« in die Theaterwissenschaft des deutschen Sprachraums neue Wege eröffnet, die auch für verwandte Kunst- und Kulturwissenschaften relevant sind.