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Interiors and Narrative
  • Language: en
  • Pages: 263

Interiors and Narrative

Interiors and Narrative shows how crucial interiors are for our understanding of the nature of narrative. A growing cultural fascination with interior dwelling so prevalent in the late nineteenth century parallels an intensification of the rhetorical function interior architecture plays in the development of fiction. The existential dimension of dwelling becomes so intimately tied to the novelistic project that fiction surfaces as a way of inhabiting the world. This study illustrates this through a comparative reading of three realist masterpieces of the Luso-Hispanic nineteenth century: Machado de Assis’s Quincas Borba (1891), Eça de Queirós’s The Maias (1888), and Leopoldo Alas’s L...

The Deepest Wounds
  • Language: en
  • Pages: 321

The Deepest Wounds

In The Deepest Wounds, Thomas D. Rogers traces social and environmental changes over four centuries in Pernambuco, Brazil's key northeastern sugar-growing state. Focusing particularly on the period from the end of slavery in 1888 to the late twentieth century, when human impact on the environment reached critical new levels, Rogers confronts the day-to-day world of farming--the complex, fraught, and occasionally poetic business of making sugarcane grow. Renowned Brazilian sociologist Gilberto Freyre, whose home state was Pernambuco, observed, "Monoculture, slavery, and latifundia--but principally monoculture--they opened here, in the life, the landscape, and the character of our people, the ...

Brazilian Popular Music and Citizenship
  • Language: en
  • Pages: 377

Brazilian Popular Music and Citizenship

Covering more than one hundred years of history, this multidisciplinary collection of essays illuminates the important links between citizenship, national belonging, and popular music in Brazil.

Veja
  • Language: pt-BR
  • Pages: 1858

Veja

  • Type: Book
  • -
  • Published: 2000-11
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  • Publisher: Unknown

None

Imaging, Women, Power
  • Language: en
  • Pages: 412

Imaging, Women, Power

  • Type: Book
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  • Published: 2000
  • -
  • Publisher: Unknown

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Os Limites da Representação: um ensaio desde a filosofia de David Hume
  • Language: pt-BR
  • Pages: 222
Imagining Brazil
  • Language: en
  • Pages: 322

Imagining Brazil

Imagining Brazil provides a comprehensive and multifaceted picture of Brazil in the age of globalization. Privileging diversity in relation to the authors as well as the manner in which Brazil is perceived, JessZ Souza and Valter Sinder have assembled historians, political scientists, sociologists, literary critics, and scholars of culture in an attempt to understand a complex society in all its richness and diversity. Rising from one of the worldOs poorest societies in the 1930s to the eighth largest world economy in the 1980s, Brazil is used as an example of globalizationOs impact on peripheral societies, exploring in new contexts the serious social problems that have always characterized this society. Imagining Brazil explores the connections between society and politics and culture and literature, creating an encompassing volume of interest to scholars of Latin American studies as well as those interested in how globalization impacts the varied aspects of a country.

Bibliografia machadiana, 1959-2003
  • Language: pt-BR
  • Pages: 286

Bibliografia machadiana, 1959-2003

  • Type: Book
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  • Published: 2005
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  • Publisher: EdUSP

None

O clube do filme
  • Language: pt-BR
  • Pages: 250

O clube do filme

Eram tempos difíceis para David Gilmour: sem trabalho fixo, com o dinheiro curto e o filho de 15 anos colecionando reprovações em todas as matérias do ensino médio. Diante da desorientação e da infelicidade desse filho-problema, o pai faz uma oferta fora dos padrões: o garoto poderia sair da escola — e ficar sem trabalhar e sem pagar aluguel — desde que assistisse semanalmente a três filmes escolhidos pelo pai. Com essa aposta diferente na recuperação e na formação de um rapaz que está “perdido”, formaram o clube do filme. Semana a semana, lado a lado, pai e filho viam e discutiam o melhor (e, ocasionalmente, o pior) do cinema: de A Doce Vida (o clássico de Federico Fe...