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This collection of essays delineates the history of the rather disparate intellectual tradition usually labeled as "Platonic" or "Neoplatonic". In chronological order, the book covers the most eminent philosophic schools of thought within that tradition. The most important terms of the Platonic tradition are studied together with a discussion of their semantic implications, the philosophical and theological claims associated with the terms, the sources that furnish the terms, and the intellectual traditions aligned with or opposed to them. The contributors thereby provide a vivid intellectual map of the Middle Ages and the Early Modern period. Contributions are written in English or German.
Considered by many the bright jewel among the many enriching books of Cardinal Henri de Lubac, this work is a hymn to the beauty of the Church, under some of whose leaders for a time he unjustly suffered. The Splendor of the Church is, in a sense, a personal testimony of the great theologian's humility and love of the Church of Christ. It is also a classic work in the theology of the Church. Indeed, de Lubac's profound insights significantly contributed to Vatican II's Dogmatic Constitution on the Church, Lumen Gentium, especially in its treatment on the Church as mystery and as the Sacrament of Christ. Chapters: I. The Church as Mystery II. The Dimensions of the Mystery III. The Two Aspects of the Church IV. The Heart of the Church V. The Church in the World VI. The Sacrament of Christ VII. Ecclesia Mater VIII. Our Temptations concerning the Church IX. The Church and Our Lady
The book traces nearly two thousand years of architectural transformations to St Paul's Basilica, one of Rome's principal churches.
Paradise or wasteland--the wilderness has always been a challenge to Westerners. Wilderness and Paradise in Christian Thought traces the exciting theme of the quest for the wilderness--both physical and metaphysical--to create a new and important perspective for understanding Christian civilization. With a wealth of knowledge, a renowned historian presents the biblical understanding of the religious and ethical significance of the desert and how this understanding has influenced later Christian history and culture. Dr. Williams specifically applies the paradise theme to the university today and shows the continuing vitality of this ancient concept.
Early Christianity emerged from obscurity to dominate the Roman world: that story, told and retold, continues to fascinate historians and believers. But the religion of ordinary Christians is not so well or easily known; they have left us no literary record of their faith and their hope, their marrying and their dying, their worship and their common life. Before the publication of "Ante Pacem there was no introduction or source-book for early Christian archaeology available in English. With his book Professor Snyder has performed an incalculable service for students of early Christianity and the world of late antiquity. He analyzes in one lavishly illustrated volume every piece of evidence that can, with some degree of assurance, be dated before the triumph of the emperor Constantine at the Milvian Bridge in 312CE thrust the nascent Christian culture "into a universal role as the formal religious expression of the Roman Empire."
Interruptions and Transitions: Essays on the Senses in Medieval and Early Modern Visual Culture is an anthology of the most recent works by Barbara Baert, discussing the connection between the experiences of the senses in the medieval and early modern visual culture, the hermeneutics of imagery, and the limits and possibilities of contemporary Art Sciences. The six chapters include Pentecost, Noli me tangere, the woman with an issue of blood, the Johannesschüssel, the dancing Salome, and the role of the wind. The reader is shown a medieval and early modern visual culture as a history of artistic solutions, as the fascinating approach between biblical texts, plastic imagination, and the art-scientific métier. This makes him a privileged guest in a unique in-between space where humans and their artistic expression can meet existentially.
This general survey of early Christian baptismal iconography and architecture integrates visual depictions and physical settings of baptism with textual evidence for its practice and purpose. An opening overview of pictorial art (paintings, relief sculpture, mosaics, and ivories) prompts questions about components of the actual ritual which are treated in the literary sources. The study’s second half considers selected baptismal structures, examining the symbolism, purpose, and possible meaning of their spatial design and decorative programs. In most instances the synthesis of documentary and material evidence is enriching and complementary. However, even when physical and textual data diverge, their discontinuity demonstrates the variability of ritual performance and the perennial distinction between ideal and actual practice..
Benedict XIV and the Enlightenment offers a comprehensive assessment of Benedict's engagement with Enlightenment art, science, spirituality, and culture.
A ground-breaking study that looks at why European nations sent troops to take part in Hitler's invasion of the Soviet Union.
In the fourth century a new narrative genre captured the imagination of the faithful--the accounts of the lives of Christian saints. Kleinberg argues that these stories were more than edifying entertainment. By retelling the story of virtue and salvation, by expanding the religious imagination of the West, they were reshaping Christianity itself.