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The Fitzwilliam Museum
The Fitzwilliam Museum is not just the principal museum of the University of Cambridge but also one of the leading UK museums outside London. This book traces its story from the Museum’s origins in the 1816 bequest of Richard, 7th Viscount Fitzwilliam of Merrion, up to the present day. At the same time it sets the Fitzwilliam’s individual story against the larger context of the growth and development of museums and galleries in the UK and further afield.The text and illustrations draw primarily on the rich and hitherto largely unpublished archives of the Fitzwilliam Museum, including the Syndicate Minutes,the reports of University debates published in the Cambridge University Reporter from 1870 on wards, compilations of earlier nineteenth-century documents,architectural plans and drawings, newspaper reports, letters, diaries, exhibition catalogues, photographs and other miscellaneous documents. With this material a substantial proportion of the narrative can be told through contemporary voices, not least those of the Museum’s thirteen Directors to date, each one a strong and influential character.
Hellenistic Art
In this beautifully illustrated volume, Burn (Keeper of Antiquities, Fitzwilliam Museum, Cambridge) introduces the Hellenistic world to students and readers interested in ancient Greek society. After a brief political and cultural overview, Burn identifies several distinctly Hellenistic artistic developments emerging in fourth-century Macedon. She then examines representations of royal and private individuals; the design, furnishing and appearances of cities, sanctuaries, houses and tombs; and the characteristic themes of Hellenistic iconography.
The Meidias Painter
As the last great Athenian red-figure vase painters, the Meidias Painter and his followers were known for their depiction of elegant women gracefully assembled. Combining stylistic and thematic analysis, this iconographical study examines the group's subject matter, sources of inspiration, and the relationship of their depicted scenes with life in the late 5th century B.C.
The British Museum Book of Greek and Roman Art
This introduction to Greek and Roman art begins with the Greek Bronze Age and continues through the Geometric, Classical and Hellenistic periods and the Etruscans of pre-Roman Italy, to the Romans themselves, whose influence extended across the Mediterranean.
A Different God?
Within modern frameworks of knowledge and representation, Dionysos often appears to be atypical for ancient culture, an exception within the context of ancient polytheism, or even an instance of a difference that anticipates modernism. How can recent research contribute to a more precise understanding of the diverse transformations of the ancient god, from Greek antiquity to the Roman Empire? In this volume, which is the result of an international conference held in March 2009 at the Pergamon Museum Berlin, scholars from all branches of classical studies, including history of scholarship, consider this question. Consequently, this leads to a new look on vase paintings, sanctuaries, rituals and religious-political institutions like theatre, and includes new readings of the texts of ancient poets, historians and philosophers, as well as of papyri and inscriptions. It is the diversity of sources or methods and the challenge of former views that is the strength of this volume, providing a comprehensive, innovative and richly faceted account of the “different” god in an unprecedented way.
Ancient Mythological Images and their Interpretation
This book offers a new, theoretically informed framework for the interpretation of ancient visual culture.
Material Cultures in Public Engagement
The Material Cultures in Public Engagement volume seeks to document and explore the significant change in the relationship of Museums with collections of the Ancient World and their audiences. The volume establishes a new approach to the study of public archaeology as a discipline and application within Museums, by bringing together the voices and experiences of museum professionals (curators, conservators and researchers) and public engagement professionals. Chapters in this volume present clear case-studies of the variety and diversity of public engagement projects conducted currently within European Museums and beyond. While the majority of case studies presented in the volume’s chapter...
Supports in Roman Marble Sculpture
The first study of a crucial aspect of Roman stone sculpture, exploring the functions and aesthetics of non-figural supports.
Greek Myths
Introduces and retells Greek myths, including the Trojan War, Odysseus, Theseus, and Oedipus, and reviews their continuing legacy
The Tyrant-slayers of Ancient Athens
This investigation relies on a rash bet: to write the biography of two of the most famous statues in Antiquity, the Tyrannicides. By recreating the eventful life of these statues, from their birth to their disappearance, Vincent Azoulay reveals that they were much more than a simple reflection: an acting symbol that models and makes history.
