Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
The Dream Structure of Pinter's Plays
Approaches the problems of obscurities, ambiguities, and interrelationships in Pinter's plays through the mechanisms of the dream and shows that the plays group around the oedipal wish.
Tom Stoppard
Tom Stoppard is said to have transcended the influence of Samuel Beckett and found his true precursor in Oscar Wilde. This edition of Bloom's Major Dramatists examines Stoppard's work, including Rosencrantz and Guildenstern Are Dead, Jump
Themes in Drama: Volume 12, Drama and Philosophy
This collection surveys madness in drama. It includes articles on 'The Duchess of Malfi'; virginity and hysteria in 'The Changeling'; the confined spectacle of madness in Beys's 'The Illustrious Madmen'; The male gaze in 'Woyzeck' - representing Marie and madness; and other drama examples.
Better Git It in Your Soul
"This biography traces the output of jazz master Charles Mingus--his recordings, his compositions, and his writings--highlighting key moments in his life and musicians who influenced him and were influenced by him. As a young man, Mingus played with Louis Armstrong as well as with Kid Ory. Mingus also played in bands led by Duke Ellington, Charlie Parker, Lionel Hampton, Red Norvo, Art Tatum, and many others. He began leading his own bands in New York City in 1955. Eric Dolphy, Rahsaan Roland Kirk, Jimmy Knepper, Jackie McLean, Toshiko Akiyoshi, Cat Anderson, and Jaki Byard are among the many distinguished jazz artists who made music with Mingus during the 1950s, 1960s, and 1970s. In additio...
National Union Catalog
Includes entries for maps and atlases.
R.C.E.I.
None
Rethinking the Theatre of the Absurd
Rethinking the Theatre of the Absurd offers a radical revision of the aesthetics and politics of absurdist drama by a team of leading international scholars.
Z. Angl. Am
None
Walking on Fire
In this bold new way of looking at dramatic structure, Jim Linnell establishes the central role of emotional experience in the conception, execution, and reception of plays. Walking on Fire: The Shaping Force of Emotion in Writing Drama examines dramatic texts through the lens of human behavior to identify the joining of event and emotion in a narrative, defined by Linnell as emotional form.Effectively building on philosophy, psychology, and critical theory in ways useful to both scholars and practitioners, Linnell unfolds the concept of emotional form as the key to understanding the central shaping force of drama. He highlights the Dionysian force of human emotion in the writer as the genes...
