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Reclaiming Artistic Research
This expanded second edition of Reclaiming Artistic Research explores artistic research in dialogue with 24 artists worldwide, reclaiming it from academic associations of the term. Embracing artists' dynamic engagement with other fields, it foregrounds the material, spatial, embodied, organizational, choreographic, and technological ways of knowing and unknowing specific to contemporary artistic inquiry. The second edition features a new text by the author and four new artist dialogues to reflect on the changing stakes of artistic research in the wake of the global pandemic, a widespread reckoning with social justice, the growing role of artificial intelligence, and the urgent reality of climate change. LUCY COTTER (*1973, Ireland) is a writer, curator, and artist. She was Curator of the Dutch Pavilion, 57th Venice Biennale, 2017, and Curator in Residence at Oregon Center for Contemporary Art 2021–22. The inaugural director of the Master Artistic Research, Royal Academy of Art, The Hague, Cotter has lectured internationally, most recently at Portland State University. She holds a project residency at Stelo Arts and Culture Foundation 2023-24.
Reclaiming Artistic Research
This expanded second edition of Reclaiming Artistic Research explores artistic research in dialogue with 24 artists worldwide, reclaiming it from academic associations of the term. Embracing artists' dynamic engagement with other fields, it foregrounds the material, spatial, embodied, organizational, choreographic, and technological ways of knowing and unknowing specific to contemporary artistic inquiry. The second edition features a new text by the author and four new artist dialogues to reflect on the changing stakes of artistic research in the wake of the global pandemic, a widespread reckoning with social justice, the growing role of artificial intelligence, and the urgent reality of climate change. LUCY COTTER (*1973, Ireland) is a writer, curator, and artist. She was Curator of the Dutch Pavilion, 57th Venice Biennale, 2017, and Curator in Residence at Oregon Center for Contemporary Art 2021–22. The inaugural director of the Master Artistic Research, Royal Academy of Art, The Hague, Cotter has lectured internationally, most recently at Portland State University. She holds a project residency at Stelo Arts and Culture Foundation 2023-24.
Field Day Review 7
Irish Studies essays from the best academics in the field
Research-Based Art Practices in Southeast Asia
This book is the first overall study of research-based art practices in Southeast Asia. Its objective is to examine the creative and mutual entanglement of academic and artistic research; in short, the Why, When, What and How of research-based art practices in the region. In Southeast Asia, artists are increasingly engaged in research-based art practices involving academic research processes. They work as historians, archivists, archaeologists or sociologists in order to produce knowledge and/or to challenge the current established systems of knowledge production. As artists, they can freely draw on academic research methodologies and, at the same time, question or divert them for their own artistic purpose. The outcome of their research findings is exhibited as an artwork and is not published or presented in an academic format. This book seeks to demonstrate the emancipatory dimension of these practices, which contribute to opening up our conceptions of knowledge and of art, bestowing a new and promising role to the artists within the society.
Anáil an Bhéil Bheo
Anáil an Bhéil Bheo brings together a stimulating range of interdisciplinary essays considering the connections between orality and modern Irish culture. From literature to song, folklore to the visual arts, contributors examine not only the connections between oral and textual traditions in Ireland, but also the theoretical concept of “orality” itself and the corresponding significance of oral texts in Irish society. Featuring work by emerging scholars in the fields of history, literature, folklore, music, women’s studies, film and theatre studies and disciplines contributing to Irish Studies, this multifaceted volume also includes contributions from scholars long engaged with issues of orality such as Gearóid Ó Crualaoich and Henry Glassie.
Stefano Cerio
Der Boden ist schneebedeckt, der Horizont eine dunkle Gebirgslinie, tiefhängende milchige Wolken verdecken den Himmel. Im Vordergrund erhebt sich eine seltsam unförmige Masse in leuchtenden Farben – rot, blau und gelb. In weniger als einer Minute materialisiert sich eine aufblasbare Hüpfburg, wie man sie oft auf Kinderspielplätzen, Jahrmärkten und Dorffesten sieht. Unbeholfen ragen diese Luftschlösser in ihrer einer Fata Morgana ähnlichen Form von Doppelrutschen, Drachenburgen, Fußballfeldern verloren aus bizarren Szenerien heraus, die Stefano Cerio mit Aquila erschaffen hat. Aufgenommen zu unterschiedlichen Jahreszeiten vor der eindrucksvollen Kulisse der Abruzzen, nicht weit entfernt von L’ Aquila, ist eine Serie von großer Melancholie entstanden.
Tania El Khoury's Live Art
Tania El Khoury's Live Art is the first book to examine the work of Tania El Khoury, a "live" artist deeply engaged in the politics and histories of the South West Asia and North Africa (SWANA) region. Since the 2011 Syrian uprisings, El Khoury has conceived and created works about lived experiences at and across international borders in collaboration with migrants, refugees, and displaced persons as well as other artists, performers, and revolutionaries. All of El Khoury's works cross borders: between forms of artistic practice, between artists and audiences, and between art and activism. Facilitating critical dialogue about the politics of SWANA and the impact of globalization, her performances and installations also test the boundaries of aesthetic, political, and everyday norms. This interdisciplinary and multimedia reader features essays by artists, curators, and scholars who explore the dynamic possibilities and complexities of El Khoury's art. From social workers to archeologists to archivists, contributing authors engage with the radical epistemological and political revolutions that El Khoury and her collaborators invite us all to join.
Doing Dramaturgy
This book explores how doing dramaturgy is informed by today’s highly diverse field of theatre, dance and performance. It does so in dialogue with fourteen performances and their makers, tracing the thinking-through-practice that underlies these creations. The first part of the book looks at how dramaturgs participate in practices of thinking-making and introduces a dramaturgical mode of looking at performances and the processes in which they are created. The second part of the book discusses the performances and creative processes of Manuela Infante, Julian Hetzel, Ivo van Hove, Anouk van Dijk, Falk Richter, Milo Rau, Kris Verdonck, Death Centre, Hotel Modern, Jr.cE.sA.r , Emio Greco and Pieter C. Scholten, Dries Verhoeven, the LGB Society of Mind, Sanja Mitrović, and Amanda Piña. Showing how ways of making and ways of doing dramaturgy mutually inform each other, this book is an essential resource for students and others aspiring to develop their own dramaturgical practice.
International Theatre Festivals and Twenty-First-Century Interculturalism
A far-reaching examination of how international theatre festivals shape 21st-century intercultural negotiation and exchange.
Cinema Olanda
Cinema Olanda by artist Wendelien van Oldenborgh and curator Lucy Cotter is the Dutch entry for the 57th Venice Biennale 2017. Featuring three new filmic works, presented in a site-specific installation engaging with Gerrit Rietveld's pavilion architecture, the exhibition operates in the cracks between the projected image of the Netherlands as a transparent avant-garde country and its reality today as a complex and rapidly transforming social, cultural and political space. Van Oldenborgh uses the cinematic format as a methodology for production, with live film shoots generating the collective co-production of scripts. This publication presents rich visual documentation, together with essays by writers from a wide range of fields. It extends Cinema Olanda's integrated engagement with art, film and architecture in dynamic relation to questions of social imaginary and agency.Exhibition: Biennale di Venezia, Dutch Pavilion 13.5.-26.11.2017
