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What does it mean to 'kiss and part'? This collection of previously unpublished short stories from a stellar list of contemporary women novelists is a literary celebration of the spirit of place. Each contributor shares one thing in common - they have all stayed at a small cottage in the village of Clifford Chambers near Stratford-upon-Avon, courtesy of a trust set up to provide women writers with ‘a room of one’s own’, as Virginia Woolf put it. Clifford Chambers was the home of the Jacobean poet Michael Drayton, who incorporated the phrase ‘Kiss and part’ into a sonnet. Each of the ten short stories in this collection takes this as its theme and the result is wonderfully eclect...
The 2014 STORGY Short Story Competition Anthology celebrates the continued resurgence of the short story genre and showcases some of the most talented up-and-coming authors from across the world. This outstanding collection features all fourteen finalists and competitions winners, as judged by critically-acclaimed author David James Poissant. These wonderfully diverse short stories will move, amuse, unsettle, and entertain, combining to create the most eclectic collection available online. Stories by competition winner Rowena Macdonald; runners-up Karina Evans and Juliet Hill; and finalists: H C Child, Curtis Dickerson, Aleksei Drakos, Lucy Durneen, Sarah Evans, Rab Ferguson, Dyane Forde, Thomas Stewart, Scott Palmer, Chris Arp, and Jacqueline Horrix. This edition also contains author forewords, interviews, and exclusive artwork by STORGY illustrator Harlot Von Charlotte.
In November 1915 Albert Einstein published his now world famous General Theory of Relativity. It introduced to physics new concepts such as the curvature of space-time and black holes, and it made extraordinary predictions about the bending of light around massive objects. I Am Because You Are is a timely collection of new fiction and non-fiction from novelists and science writers, all inspired by the theme of Relativity. Each contributor treats the subject in their own unique way. The results are charming, witty, sometimes challenging but always accessible, presenting complex science themes in imaginative, easy-to-understand and highly entertaining ways. Contributors include novelists Andrew Crumey, Dilys Rose and Neil Williamson, alongside popular science communicators Pedro Ferreira and Jo Dunkley. Edited by acclaimed, award-winning writers Pippa Goldschmidt and Tania Hershman, I Am Because You Are will be the perfect vehicle for both press and public to engage with this landmark centenary.
The Craft of Editing offers a rare insight into the unique dynamic between author and editor. In this illuminating book, Adnan Mahmutović and Lucy Durneen lead a cohort of industry experts to bring transparency to the mystique that often surrounds the craft and practice of editing. Using genuine case studies from published works – including annotated manuscripts – this book prepares writers for potential dialogue and critique from editors. The Craft of Editing follows the journey from rough draft to publication, an essential part of any writing experience, while showing the singular and authentic approach each editor takes. Using original pitches, debates, emails, and instant messages to shed light on the collaboration between authors and editors, The Craft of Editing is an indispensable tool to creative writers and students alike.
This unique book takes silence as its central concept and questions the range of meanings and values which inform the idea as it impinges on the creative process and its content and contexts. The thematic core of silence allows a consideration of silencing and silence as opposite ends of a spectrum: one shutting down, the other enabling and opening up. As a multidisciplinary collection of essays derived from the teaching and implementation of Creative Writing at university level, the contributors consider silence as strategic, both through the need for silence and as something which compels resistance. They explore how writing has employed images and tropes of silence in the past, and used silence and gaps technically. In considering marginalised and forgotten voices, this book shows how writers bring their diverse range of backgrounds and experience to work with and against silence in Creative Writing Studies. The first theoretical work on silence in Creative Writing, this field-shifting book is an essential read for both practitioners and students of Creative Writing at the higher education level.
‘Glorious... Political, passionate, perceptive’ Robert Macfarlane An eye-opening exploration of the lines that cut through our countryside, from hedges to railways, and a passionate manifesto for reconnecting wildlife. Our landscape has been transformed by a vast network of lines, from hedges and walls to railways and power cables. In Linescapes, Hugh Warwick unravels the far-reaching ecological consequences of these changes. As our lives and our land were fenced in and threaded together, wildlife habitats were cut into ever smaller – and increasingly unviable – fragments. Yet as Warwick travels across this linescape, he shows that we can help our flora and fauna to flourish once again. With his fresh and bracing perspective on Britain’s countryside, he proposes a challenge and gives ground for hope, for our lines can and do contain a real potential for wildness and for wildlife.
A saint is crucified on the same Mediterranean island where, centuries later, a Japanese soprano recovers her lost voice. Youths throw a rock through a car windscreen in urban Accra, and a woman sees this as a sign she will never reproduce. A murderer escapes across the Sydney suburbs, bringing together an ex-swimming champion, a yoga devotee and a Chinese virgin. An insolent nephew recovers from illness to ask his wealthy aunt for accommodation for himself and his pregnant wife. In Hong Kong, a mistress awaits her married lover in a luxury hotel, and at a summer party outside Verona, a Ukrainian émigré seduces a heavily pregnant woman’s husband in his last foray into the world of hedoni...
A generation defining exposé of toxic beauty culture in our digital age and how it is harming women We are living in a new age of beauty. With advancements in cosmetic surgery, augmented reality face filters, photo editing apps, and exposure to more images than we were ever meant to see, we have the ability to craft ourselves in whichever way we please. We pinch, pull, squeeze, tweeze, smooth and slice ourselves beyond recognition. But is modern beauty culture truly empowering? Are we really in control? In every era there is a beauty ideal. Yet, today the pressure to attain and retain the perfect body is compounded by our addiction to sharing every angle of ourselves online. In an age of in...
A brother returns from exile to stir up the past. A macabre performance in the bowels of a Parisian museum must be seen to be believed. Lovers torn apart by heroin confront their loss in wildly divergent ways. A severely disabled husband struggles with the permission he has bestowed. And a widower observes his daughter blossoming amid the carnage of war. Rich with dark, beguiling, playful and audacious tales, Dazzling the Gods is the second short story collection from award-winning author Tom Vowler.