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The Creole Faubourgs
The fourth volume of the acclaimed series captures in more than 400 photographs and text the distinctive architecture of the six creole faubourgs, or neighborhoods, of the modern city of New Orleans. As in all books in the series, emphasis is placed on historic documentation, with a goal of preserving important structures. Twelve distinct architectural types germane to the faubourgs are defined, identified, and analyzed. Also included is a chapter on the craftsmanship of the many free persons of color who contributed significantly to the city's architecture. Researched by The Friends of the Cabildo, one of the nation's leading preservation organizations, the oversize volume was compiled by Roulhac Toledano, Sally Evans, and Mary Louise Christovich, all of New Orleans. A history of the faubourgs by Samuel Wilson, Jr. is featured as well. The books photographs, both color and black and white, were the work of Betsy Swanson, photographer for the first three volumes of the series.
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An Archaeology of Institutional Confinement
The archaeological assemblage from the Hyde Park Barracks is one of the largest, most comprehensive and best preserved collections of artefacts from any 19th-century institution in the world. Concealed for up to 160 years in the cavities between floorboards and ceilings, the assemblage is a unique archaeological record of institutional confinement, especially of women. The underfloor assemblage dates to the period 1848 to 1886, during which a female Immigration Depot and a Government Asylum for Infirm and Destitute Women occupied the second and third floors of the Barracks. Over the years the women discarded and swept beneath the floor thousands of clothing and textile fragments, tobacco pipes, religious items, sewing equipment, paper scraps and numerous other objects, many of which rarely occur in typical archaeological deposits. These items are presented in detail in this book, and provide unique insight into the private lives of young female migrants and elderly destitute women, most of whom will never be known from historical records.
