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This groundbreaking handbook is a resource for artists, community activists and anyone wishing to reach beyond the facts and figures of science and technology to harness their creativity to make change in the world. This timely book explores the pivotal role artists play in re-thinking the future; re-inventing and re-imagining our world at a time of systemic change and uncertainty. Playing for Time identifies collaborative arts practices emerging in response to planetary challenges, reclaiming a traditional role for artists in the community as truth-tellers and agents of change. Sixty experienced artists and activists give voice to a new narrative – shifting society’s rules and values aw...
Now back in print...This groundbreaking handbook (first published in 2015 by Oberon and now needed more than ever in the face of multiple unfolding crises) is a resource for artists, community activists and anyone wishing to harness their creativity to make change in the world.Playing for Time explores the pivotal role artists play in re-thinking the future; re-inventing and re-imagining our world at a time of systemic change and uncertainty. Playing for Time identifies collaborative arts practices emerging in response to planetary challenges, reclaiming a traditional role for artists in the community as truth-tellers and agents of change.Fifty experienced artists and activists give voice to a new narrative - shifting society' s rules and values away from consumerism and commodity towards community and collaboration with imagination, humour, ingenuity, empathy and skill. Inspired by the grass-roots Transition movement, modelling change in communities worldwide, Playing for Time joins the dots between key drivers of change - in energy, finance, climate change, food and community resilience - and ' recipes for action' for readers to take and try.
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The songs, dances, jokes, parodies, spoofs, and skits of blackface groups such as the Virginia Minstrels and Buckley's Serenaders became wildly popular in antebellum America. Behind the Burnt Cork Mask not only explores the racist practices of these entertainers but considers their performances as troubled representations of ethnicity, class, gender, and culture in the nineteenth century. William J. Mahar's unprecedented archival study of playbills, newspapers, sketches, monologues, and music engages new sources previously not considered in twentieth-century scholarship. More than any other study of its kind, Behind the Burnt Cork Mask investigates the relationships between blackface comedy ...
" . . . a rare combination of inclusiveness and honesty. . . . cogent introduction[s] . . . confirm the central point of the tales: a search for cultural identity and freedom. First-rate." —Library Journal " . . . deserves a place alongside the classic collection of Negro tales, Mules and Men. Folktales are the stories people tell, and Shuckin' and Jivin' presents a splendid representative sheaf of the stories black Americans of all social classes tell today . . . . Professional folklorists will applaud Dance's candor and scholarly rigor." —Richard M. Dorson An exciting new collection of Black American folklore, running the gamut from anecdotes concerning life among the slaves to obviously contemporary jokes. In their frank expression of racial attitudes and unexpurgated wit, these tales represent a radical departure from earlier collections.
Celebrates 20 years of LIFT through first-person narratives from its directors as well as essays by international commentators on the Festival's lasting impact on theatre in the UK.