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This reference book, containing the biographies of more than 1,100 notable British women from Boudicca to Barbara Castle, is an absorbing record of female achievement spanning some 2,000 years of British life. Most of the lives included are those of women whose work took them in some way before the public and who therefore played a direct and important role in broadening the horizons of women. Also included are women who influenced events in a more indirect way: the wives of kings and politicians, mistresses, ladies in waiting and society hostesses. Originally published as The Europa Biographical Dictionary of British Women, this newly re-worked edition includes key figures who have died in the last 20 years, such as The Queen Mother, Baroness Ryder of Warsaw, Elizabeth Jennings and Christina Foyle.
Aspects of medieval theatre examined for reflection of contemporary life. The essays in this volume explore ways in which plays and public spectacles mirrored the beliefs and values of the late medieval world. Topics covered include seasonal festivals, trade gilds, stagecraft, and the role played by themunicipal governments in fostering and controlling dramatic productions. The geographic range takes in all western Europe, with particular consideration of the connections between the various medieval European dramatic traditions. Inter-disciplinary in approach, perspectives range from the history of theatre to cultural and political history and literary criticism. There is particular emphasis on the real advances that can be made in expanding knowledge of medieval theatre through research in local and regional archives. ALAN E. KNIGHT is professor emeritus of French at the Pennsylvania State University. Contributors: ALEXANDRA F. JOHNSTON, LYNETTE R. MUIR, PAMELA SHEINGORN, R.B. DOBSON, GERARD NIJSTEN, CLIFFORD DAVIDSON, WIM HÜSKEN, STEPHEN SPECTOR, ALAN E. KNIGHT
This innovative volume explores a wide range of artistic, critical, and cultural productions by women scholars, critics, and artists between 1790 and 1900, many of whom are little known. The essays question the concepts of “scholarship,” “criticism,” and “artist” across different disciplines, focusing on the gendered associations and exclusions and on structures of sexual difference. Women discussed include Mary Wollstonecraft Shelley, Sydney Morgan, and Anna Jameson; actresses such as Elizabeth Siddons, Dorothy Jordan, and Mary Robinson; critics such as Margaret Oliphant and Mary Cowden Clarke; historians such as Agnes Strickland, Lucy Aikin, Mary Anne Everett Green, Elizabeth Cooper, and Lucy Toulmin Smith; the writers and readers of women's magazines; educationalists such as the Shirreff sisters, and translators such as Anna Swanwick, as well as many others.