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Studies in Late Modern English Correspondence
The studies presented in this volume concentrate on aspects of Late Modern English correspondence in the usage of individuals belonging to different social classes, writing for different purposes, and finding themselves in different social contexts, both in Britain and in its colonies. As the growing body of research published in recent years has shown, analysing the language of letters presents both a challenge and an opportunity to obtain access to as full a range of styles as would be possible for a period for which we only have access to the language in its written form. It is an area of study in which all the contributors have considerable expertise, which affords them to present data f...
Making Sense of Public Opinion
This book proposes that Americans form views on immigration and social welfare programs from conventional ways of speaking rather than from ideologies.
The Northern Renaissance
Catalog of an exhibition held at the Queen's Gallery, Palace of Holyroodhous, April, 2011 and at the Queen's Gallery, Buckingham Palace, October, 2012.
Canaletto and the Art of Venice
The Royal Collection has one of the largest and finest collections of Venetian art from the first half of the eighteenth century. It includes paintings, prints and drawings by Canaletto himself, as well as those of his contemporaries, such as Sebastiano and Marco Ricci, Antonio Visentini, Francesco Zuccarelli and Giovanni Battista Piazzetta. These artists were patronised by Consul Smith and their works were later purchased by George III. This lavishly illustrated catalogue marks the first time that the rich holdings of eighteenth-century Venetian art in the Royal Collection will have been brought together, and focuses on presenting these extraordinary works against the background of the social and artistic networks of the period. Whilst displaying and analysing the brilliant works of Canaletto himself, including his cityscapes, capriccios and paintings of architecture, this catalogue also discusses the intimate interior of Venetian life, explores the links between artists and the theatre in Venice at this time and looks at Venice as a centre for printmaking and book production.
Andrea del Sarto
The great Renaissance artist Andrea del Sarto (1486–1530) rivals Leonardo da Vinci as one of history’s most accomplished draftsmen. Moving beyond the graceful elegance of his contemporaries, such as Raphael and Fra Bartolommeo, he brought unprecedented realism to his drawings through the rough and rustic use of chalk in his powerfully rendered life and compositional studies. With an immediacy few other Renaissance artists possess, del Sarto’s work has proven to be inspirational and compelling to later audiences, with admirers such as Degas and Redon. This lavishly illustrated book reveals del Sarto's dazzling inventiveness and creative process, presenting fifty core drawings on paper t...
Anthony Van Dyck
Blake, an author living in London, explains that the impetus for this biography of the great Dutch painter came from his own connection in childhood to a painting purchased by his grandmother
German Paintings in the Metropolitan Museum of Art, 1350-1600
Paintings by Renaissance masters Lucas Cranach the Elder, Albrecht Durer, and Hans Holbein the Younger are among the works featured in this lavish volume, the first to comprehensively study the largest collection of early German paintings in America. These works, created in the 14th through 16th centuries in the region that comprises present-day Germany, Austria, and Switzerland, include religious images - such as "Virgin and Child with Saint Anne" by Durer and the double-sided altarpiece "The Dormition of the Virgin" by Hans Schaufelein - as well as remarkable portraits by Holbein and the iconic "Judgment of Paris" by Cranach. In all, more than 70 works are thoroughly discussed and analyzed, making this volume an incomparable resource for the study of this rich artistic period.
