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Studies in Late Modern English Correspondence
  • Language: en
  • Pages: 304

Studies in Late Modern English Correspondence

  • Type: Book
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  • Published: 2008
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  • Publisher: Peter Lang

The studies presented in this volume concentrate on aspects of Late Modern English correspondence in the usage of individuals belonging to different social classes, writing for different purposes, and finding themselves in different social contexts, both in Britain and in its colonies. As the growing body of research published in recent years has shown, analysing the language of letters presents both a challenge and an opportunity to obtain access to as full a range of styles as would be possible for a period for which we only have access to the language in its written form. It is an area of study in which all the contributors have considerable expertise, which affords them to present data f...

The Northern Renaissance
  • Language: en

The Northern Renaissance

  • Categories: Art

Catalog of an exhibition held at the Queen's Gallery, Palace of Holyroodhous, April, 2011 and at the Queen's Gallery, Buckingham Palace, October, 2012.

Making Sense of Public Opinion
  • Language: en
  • Pages: 453

Making Sense of Public Opinion

This book proposes that Americans form views on immigration and social welfare programs from conventional ways of speaking rather than from ideologies.

Andrea del Sarto
  • Language: en
  • Pages: 238

Andrea del Sarto

  • Categories: Art

The great Renaissance artist Andrea del Sarto (1486–1530) rivals Leonardo da Vinci as one of history’s most accomplished draftsmen. Moving beyond the graceful elegance of his contemporaries, such as Raphael and Fra Bartolommeo, he brought unprecedented realism to his drawings through the rough and rustic use of chalk in his powerfully rendered life and compositional studies. With an immediacy few other Renaissance artists possess, del Sarto’s work has proven to be inspirational and compelling to later audiences, with admirers such as Degas and Redon. This lavishly illustrated book reveals del Sarto's dazzling inventiveness and creative process, presenting fifty core drawings on paper t...

Anthony Van Dyck
  • Language: en
  • Pages: 481

Anthony Van Dyck

  • Type: Book
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  • Published: 2009-02-16
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  • Publisher: Ivan R. Dee

Blake, an author living in London, explains that the impetus for this biography of the great Dutch painter came from his own connection in childhood to a painting purchased by his grandmother

Burke's Genealogical and Heraldic History of the Peerage, Baronetage and Knightage
  • Language: en
  • Pages: 910

Burke's Genealogical and Heraldic History of the Peerage, Baronetage and Knightage

  • Type: Book
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  • Published: 1885
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  • Publisher: Unknown

None

Genealogical and Heraldic Dictionary of the Peerage and Baronetage of the British Empire
  • Language: en
  • Pages: 1848

Genealogical and Heraldic Dictionary of the Peerage and Baronetage of the British Empire

  • Type: Book
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  • Published: 1885
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  • Publisher: Unknown

None

German Paintings in the Metropolitan Museum of Art, 1350-1600
  • Language: en
  • Pages: 386

German Paintings in the Metropolitan Museum of Art, 1350-1600

Paintings by Renaissance masters Lucas Cranach the Elder, Albrecht Durer, and Hans Holbein the Younger are among the works featured in this lavish volume, the first to comprehensively study the largest collection of early German paintings in America. These works, created in the 14th through 16th centuries in the region that comprises present-day Germany, Austria, and Switzerland, include religious images - such as "Virgin and Child with Saint Anne" by Durer and the double-sided altarpiece "The Dormition of the Virgin" by Hans Schaufelein - as well as remarkable portraits by Holbein and the iconic "Judgment of Paris" by Cranach. In all, more than 70 works are thoroughly discussed and analyzed, making this volume an incomparable resource for the study of this rich artistic period.

Lines of Connection
  • Language: en
  • Pages: 232

Lines of Connection

  • Categories: Art

The first volume to chart the rich and reciprocal relationship between drawing and printmaking from the fifteenth to nineteenth centuries While often viewed and studied separately, drawings and prints have always been closely intertwined. They facilitated and generated the production of one another, and in some instances, clear distinctions between the two dissolved. Many artists created drawings specifically intended for translation into print, and an even greater number used prints as a training tool, copying from them to hone drawing skills. This reciprocal relationship goes even deeper, however, as innovative artists made fascinating hybrid works that blurred the boundaries between the t...