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Living on the Edge
This volume addresses the widespread medieval phenomenon of transgression as both a result of and the cause for the exclusion and persecution of those who were considered different. It is widely accepted that the essence of a manuscript cannot be fully grasped without studying its marginalia. Glosses sit on the margins of the text and clarify it, adding a whole new dimension to it and becoming an inextricable part of its content. Similarly, no society can be fully understood without knowledge of what lies on its margins, for the outliers of any given culture provide us with just as much information as its alleged foundational principles. In a time when the Western world ponders building walls up against perceived threats and frightening differences, this multidisciplinary collection of essays based on original and innovative pieces of research shows that it was mostly through tearing down walls that we learned our way forward.
General Bulletin
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Manuscripts and Performances in Religions, Arts, and Sciences
Throughout history, manuscripts have been made and used for religious, artistic, and scientific performances, and this practice continues in most cultures today. By focusing on the role manuscripts have in different kinds of performances, this volume contributes to the evolving field of investigating written artefacts and their functions. The collected essays regard manuscripts as points of intersection where textual, material, and performative aspects converge. The contributors analyse manuscripts in their forms and functions as well as their positioning in the performances for which they were made. These aspects unfold across the volume's three sections, examining how manuscripts are (1) used backstage, for preparing and giving instructions for performances; (2) taken onstage, contributing to the enactment of performances; and (3) performers in their own right, producing an effect on the audience. The diversified, interdisciplinary, and innovative methodologies of the included papers carry great potential to expand the traditional approaches of manuscript studies and find application outside the contributors' respective fields.
León and Galicia Under Queen Sancha and King Fernando I
Acclaimed historians Bernard F. Reilly and Simon R. Doubleday tell the story of the reign of Queen Sancha and King Fernando I, who together ruled the territories of León and Galicia between 1038 and 1065—often regarded as a period in which Christian kings and their vassals asserted themselves more successfully in the face of external rivals, both Viking and Muslim. The reality was more complex. The Iberian Peninsula remained a space of multiple, intertwined forms of power and surprisingly nuanced relationships between—and among—the diverse configurations of Christian and Muslim authority. Some of these complexities would be obscured by later generations of medieval chroniclers, whose ...
A Companion to the Queenship of Isabel la Católica
The queenship of the first European Renaissance queen regnant never ceases to fascinate. As fascists to feminists fight over Isabel’s legacy, we ask which recyclings of her image are legitimate or appropriate. Or has this figure taken on a life of her own?
The High Middle Ages
An international collection of ecumenical, gender-sensitive interpretations The latest volume in the Bible and Women series examines the relationship between women and the Bible's reception in the centuries of the High and Late Middle Ages in Europe. Contributors bring a variety of new insights to questions of how women of the Bible were treated in literary, mystical, and doctrinal texts as well as in art and music. Though the Bible was used to legitimize the subordination of women to men and to exclude them from power, during this period women produced works of theology and biblical interpretation. Contributors include Gemma Avenoza, Marina Benedetti, Dinora Corsi, Maria Laura Giordano, Eli...
Judici i justícia
La personificació de la Justícia com una dama amb balances i espasa és només una de les imatges que en l?època medieval i moderna es va expressar a les pàgines dels llibres manuscrits, als grans brodats, a les taules i als cicles escultòrics o pictòrics de caràcter monumental. Tant si es tractava del judici de Déu com de la justícia impartida pels humans, l?art europeu vehiculà, a partir d?algunes iconografies constants i d?altres temàtiques singulars, un món legislatiu, escatològic i hagiogràfic d?enorme complexitat. Els autors de Judici i Justícia analitzen aquestes realitats interessant-se per l?art català i per les continuïtats i les particularitats del tema en diverso...
