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This is a book that for over forty years was carefully researched and footnoted by the principal author Ernest S. Sanchez. It is a story that is weaved together by multiple interviews with families and their familial history that makes this account and supported by documentation. This book brings into focus the following points: 1. History of the settlement of New Mexico from Onate to the present 2. The principal families that were involved in the settlement and their experiences... 3. The New Mexican experience from the Hispanic view in the history of the settlement of Lincoln County and the Lincoln County War 4. An insight on the personal relationship of the Hispanics with William H. Bonne...
"An extraordinarily beautiful, original, though-provoking, action-inciting creation." Thomas Berry - historian, priest and author of The Dream of the Earth, The Universe Story and the Great Work.
Preceded by the heroic modernism of the 1920s and abruptly curtailed by World War II, the heterogeneous art movements of the 1930s have been comparatively neglected as concurrent cultural phenomena. The 30s were much more than a period of transition or crisis, witnessing as they did the massive expansion of Surrealism, and fervent debate between new movements in abstract and realist painting. Political turbulence was of course rife at this time, with the rise of totalitarian governments and the outbreak of the Spanish Civil War, provoking a fluid migration of artists across borders and unlikely exchanges of ideas. Published to coincide with a major exhibition at the Reina Sofía Museum in Ma...
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El autor aborda la estructura pictórica y escultórica y, sobre todo, la arquitectura del conocimiento y de la sociedad en la obra de Picasso, es decir, las estructuras de la tradición, de las diferencias raciales, sociales y culturales, de la lógica y de la tecnología, proponiendo nuevas vías para apreciar la oscilación entre orden y desorden en la obra de Picasso, así como la confrontación y el reto que su obra supuso respecto a las arquitecturas de la ortodoxia. Tal reto comienza con una serie de intervenciones que el artista protagonizó en la turbulenta historia europea de los primeros años veinte, que revelan su postura respecto a temas vitales como la raza, la diferencia cultural, la modernidad, la sexualidad y el descontento de la civilización.
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The catalogue is published on the occasion of the first individual exhibition of Georges Vantongerloo in Spain. The catalogue reveals the grounding of his work in the re-conceptualisation of pictorial and sculptural space that marked the abstract tendencies in art of the early 20th century. In the 1920s an important part of the Vantongerloos investigation was centred on colour as physical and perceptive phenomenon. Later, Vantongerloo will conceive his works according to strictly geometric rules, algebraic afterwards, to turn, thus, into the founder of the mathematical thought in art in our epoch. Genuine pioneer in the abstract sculpture field, the artist will continue, after 1945, proposing peculiar versions of that kind of sculpture, abandoning all the reference to a built geometry, and opening to a subjective approach to the universe of cosmology.
For hundreds of years, Barcelona and Madrid have shared a deep rivalry. Throughout history, they have competed in practically every aspect of social life, sport, politics, and culture. While competition between cities is commonplace in many nations around the world, in the case of Barcelona and Madrid it has been, on occasion, excessively antagonistic. Over time they have each tried to demonstrate that one was more modern than the other, or more avant-garde, or richer, or more athletic, and so on. Fortunately, the Spain of today is a democracy and every nation and region of the State has the liberty to act. As such, the rivalry between these two capitals has become productive not only for th...