You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
This collection of essays focuses on works by prominent poets and writers of the 19th and 20th centuries, with a particular focus on (post)Romantics and modernists. These authors belong to essentially different socio-historical, linguistic, cultural and geopolitical contexts, and the studies examine some of their emblematic texts from a comparative critical perspective. Edgar Allan Poe and Charles Baudelaire, William Butler Yeats and Percy Bysshe Shelley, Emily Dickinson and Marina Tsvetaeva are some of the paired authors, who, due to the originality of their thought and work, have come to be considered amongst the most significant literary figures of their contemporary world. The volume offers an original and insightful reading of the literary text as a powerful means of both representing and shaping the inherent dialogism of different cultures. As such, it transcends, in an imaginative way, the national, racial and cultural boundaries of human existence.
The ever-growing interest in the analysis of materiality has found its expression in many studies of objects and objecthood, of things and “thingness”. Combining cultural, phenomenological, semiotic, and philosophical approaches, this collection of eleven essays proposes a journey into “the silent life of things”, into those aspects of materiality that are not immediately visible and require both increased attention and a sense of intuition. It focuses on the subtle changes that materiality operates upon our subjectivity and upon our status as producers, users, possessors, negotiators and manipulators of objects, and analyses the ways in which materiality is constantly redefined by c...
1. The book is in keeping with contemporary developments in literary criticism and interpretation. 2. The book is the first to offer a comprehensive critical overview of Thomas’s entire output. 3. It provides exciting new commentaries on cultural appropriations and interpretations of Thomas in the media, letters, and popular culture. 4. It contains work by some of the leading voices in the fields of Thomas studies and Welsh Writing in English. 5. It offers key insights into the Welsh contexts of Thomas’s work and legacy.
When we look at monsters from a safe distance, it is nothing but a glance. To preserve our pristine human identity, whenever we find the monstrous Other, we search for difference, not similarity. But what happens when we allow our gaze to linger and the face staring back at us looks uncannily familiar? When we lose the alterity factor and can no longer discern the boundaries that separate "us" from "them"? The nine chapters in this volume investigate how terrifying the Other remains after we strip its façade and discover an unsettling likeness. Also, the saturation of monster imagery and verbiage contained in contemporary literature, film, music, and popular culture solidifies it as a topic that crosses diverse borders. The authors´ interdisciplinary approaches reassess issues such as the current stand of classical monsters, the persistence of animal imagery in Horror and the domestication strategies that reshaped monstrosity
DIVAn exploration of the theoretical and political consequences of the post-Enlightenment “self” and of the concept of self-referentiality./div
None