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In an encyclopedic reference for anyone who wants information about all things Jewish, Eisenberg distills an immense amount of material from classic and contemporary sources into a single volume.
This volume contains some 46 essays on various aspects of contemporary German-Jewish literature. The approaches are diverse, reflecting the international origins of the contributors, who are based in seventeen different countries. Holocaust literature is just one theme in this context; others are memory, identity, Christian-Jewish relations, anti-Zionism, la belle juive, and more. Prose, poetry and drama are all represented, and there is a major debate on the controversial attempt to stage Fassbinder’s Der Müll, die Stadt und der Tod in 1985. The overall approach of the volume is an inclusive one. In his introduction, the editor calls for a reappraisal of the terms of German-Jewish discourse away from the notion of ‘Germans’ and ‘Jews’ and towards the idea that both Jews and non-Jews, all of them Germans, have contributed to the corpus of ‘German-Jewish literature’.
"In the history of Austrian Jewry, the year 1848 marked a crucial turning point. Although there had been a rapid succession of changes in the lives of Jews in Central Europe, 1848 was a definitive beginning on the road to "modernity" from which there could be no turning back. Ludwig August Frankl was a distinguished representative of this generation of Jews living in the Habsburg realm. He believed in the revolutionary ideals of 1848, and yet was paradoxically not a radical. He was, rather, a representative of that now often forgotten group of Jews who believed in an evolutionary path to modernity that seemed to offer the logical and triumphant culmination of a hundred years of cultural assimilation. Modernity became their identification and their aspiration, and also led to a new perception of their own Judaism. Ludwig August Frankl brought the elements of this new identity to his mission to found the first secular Jewish school in Jerusalem in 1856, the Laemel School." --
Despite much study of Viennese culture and Judaism between 1890 and 1914, little research has been done to examine the role of Jewish women in this milieu. Rescuing a lost legacy, Jewish Women in Fin de Siècle Vienna explores the myriad ways in which Jewish women contributed to the development of Viennese culture and participated widely in politics and cultural spheres. Areas of exploration include the education and family lives of Viennese Jewish girls and varying degrees of involvement of Jewish women in philanthropy and prayer, university life, Zionism, psychoanalysis and medicine, literature, and culture. Incorporating general studies of Austrian women during this period, Alison Rose al...
"William McCagg has done a great service for scholarship—and for Habsburg scholarship in particular—through his book. Scholars are in his debt." —History of European Ideas " . . . strongly recommended to those interested in either Jewish or Habsburg history." —American Historical Review " . . . McCagg tells a fascinating story with expert knowledge, with the sure eye and sound judgment of the experienced historian . . . " —Midstream " . . . exceptionally fine research and the time frame of the study which make it quite remarkable and original." —German Politics & Society "William McCagg brings out the extent to which Jews were divided not only as Jews, but also as citizens of Austro-Hungary . . . McCagg writes perceptively of Kafka's predicament as a German-speaking Jew in Prague, living through the Czech nationalist revival . . . " —New York Review of Books Drawing on a wide variety of European sources, McCagg has produced the first history of this important but often forgotten community to be written since the nineteenth century.
This volume brings together fifteen essays by scholars which were first presented at a conference held in Oxford in September 1997 to mark the bicentenary of Schubert's birth. This collection of essays examines a variety of aspects of cultural and social life in Austria in the first half of the nineteenth century but also explores the perpetuating of myths and stereotypes derived from those years and the ways in which the Biedermeier period continued to influence later generations, not least in their repeated attempts to create an image of the good old days based on the age of Schubert before the chaos of the 1848 revolution and the construction of the RingstraBe. Major figures from literature and culture are well represented (Grillparzer, Nestroy, Stifter, Bauernfeld) but an important focus of the volume is on lesser known writers who were responsible for the creation of the Biedermeier myth: Frankl, Bartsch, Lux and others. A further group of essays is concerned with general topics such as Austrian identity, the existence of a specifically Austrian strand of philosophy, and changing attitudes towards nature.
This book studies the role of the Ottoman Empire and Republic of Turkey in providing refuge and prosperity for Jews fleeing from persecution in Europe and Byzantium in medieval times and from Russian pogroms and the Nazi holocaust in the nineteenth and twentieth centuries. It studies the religiously-based communities of Ottoman and Turkish Jews as well as their economic, cultural and religious lives and their relations with the Muslims and Christians among whom they lived.
This book on Jewish culture and literature focuses on the “quiet” decades of the nineteenth century, a scarcely written-about period of time in Bohemian Jewish history. Using a myriad of sources, including travelers’ accounts, poems, essays, short stories, guides, and newspaper articles, the volume explores Jewish expression, Jewish-Czech relations, and the changing attitudes toward Jews between the 1820s and 1880s. It offers close readings of writers like Karel Havlíček Borovský, Ján Kollár, Siegfried Kapper, and Jan Neruda, as well as lesser-known authors and sources. Combining skillful sustained analysis, judicious argumentation, and elegant writing, the book is a truly enriching reading experience.
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