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The book contains three accounts of five public speeches and conversations with the public of two outstanding figures of theatre and performance, Jerzy Grotowski and Ludwik Flaszen, from 1993 to 1997. Their speeches concern their output and their current research. The content of Ludwik Flaszen's speech is very closely related to the output of Jerzy Grotowski. The accounts are written on the base of the author's detailed notes. The main subject of these narratives is their author, who quotes the speaking characters in the third person. In this way, all texts acquire a subjective character, akin to an essay, while remaining faithful to the overall message and content of the speeches and conver...
This collection of texts by Ludwik Flaszen, Grotowski's main collaborator and co-founder of the Teatr 13 Rzedow (later the Teatr Laboratorium), gathers together key texts, nearly all of which have never before been published in English. These include lectures, papers on issues such as actor training, as well as programme and explanatory texts on all the laboratory's performances (including Cain, Shakuntal, Forefathers' Eve, Kordian, Akropolis, The Tragical History of Dr Faustus, The Constant Prince, and Apocalypsis cum figuris). It provides insight into the concepts behind the practice of one of the twentieth-century theatre's leading lights, and will introduce the cultural, literary, and hi...
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Jerzy Grotowski’s Journeys to the East is an unusual collection of facts, quotations, and commentaries documenting the real and metaphorical journeys of the Polish theatre director and ‘teacher of performers’ into a geographical and cultural dimension which we used to and still call the Orient. Grotowski’s contacts and meetings with the East are placed here in the context of his biography. Painstakingly researched by Grotowski’s main biographer Zbigniew Osiński, this book is necessary reading for those interested in Grotowski’s deep relationship with the East and in the inspiration he drew from its various cultures. The book will appeal to all readers who feel a need to have a glimpse of the East from the perspective of one of the main theatre reformers in the twentieth century.
This book opens a new interdisciplinary frontier between religion and theatre studies to illuminate what has been seen as the religious or spiritual nature of Polish theatre director Jerzy Grotowski’s work.The central argument is that through an embodied, materialist approach to religion, and through a critical reading of the concepts of the New Age, a new understanding of Grotowski and religion can be developed. This is a vital reference for academics in both Religion and Theatre Studies that have an interest in the spiritual aspects of Grotowski’s work.
The idea of the tragic has permeated Western culture for millennia, and has been expressed theatrically since the time of the ancient Greeks. However, it was in the Europe of the twentieth century – one of the most violent periods of human history – that the tragic form significantly developed. ‘Modern European Tragedy’ examines the consciousness of this era, drawing a picture of the development of the tragic through an in-depth analysis of some of the twentieth century’s most outstanding texts.