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Gold, Silver, and Bronze
An in-depth look at the exquisite metal sculpture of the Roman baroque Roman baroque sculpture is usually thought of in terms of large-scale statues in marble and bronze, tombs, or portrait busts. Smaller bronze statuettes are often overlooked, and the extensive production of sculptural silver—much of which is now lost but can be studied from drawings—is frequently omitted from the histories of art. In this book, Jennifer Montagu enriches our understanding of the sculpture of the period by investigating the bronzes that adorn the great tabernacles of Roman churches; gilded silver, both secular and ecclesiastical; elaborately embossed display dishes; and the production of medals. Concentrating on selected pieces by such master sculptors as Bernini and leading metal-workers such as Giovanni Giardini, Montagu examines the often tortuous relationship between patrons and artists and elucidates the relationship between those who provided the drawings or models and the craftsmen who executed the finished sculptures.
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Appreciating Italy
Appreciating Italy is that rarest of travelogues that not only directs the traveler to a travel destination, but also provides a brief review of the historical evolution of the region. Unlike travel books that merely tell you what you should see, Appreciating Italy explains why you should see it, giving you background information on each city¿s history, culture, art and architecture ¿ background information that can¿t help but add another dimension to the enjoyment of your holiday. Primary destinations explored include Rome, Florence and Venice as well as the regions that surround each ¿ Naples, Pompeii, Paestum, Capri, Sorrento and the south; Tuscany, Pisa, Siena and Asissi; and the Ven...
Rebuilding St. Paul's Outside the Walls
Traces the reconstruction of the Basilica of Saint Paul Outside the Walls, providing a new prehistory of the great Catholic revival after 1850.
E Motion
The aim of the EMotion project is to combine both technological aspects and respect for the territory and its history. The main axis considered in this project is the Asmara-Massawa road. The challenges of a new mobility in this part of Eritrea could be met and overcome by preserving the pre-existing historic infrastructure: an extraordinary and vulnerable cultural heritage, consisting of a unique road and a railway, crossing natural and cultural landscapes and connecting archaeological, historical-artistic and architectural sites; the road itself is a summation of artefacts and monuments to be protected and enhanced. A multidisciplinary team, including archaeologists, architects, geologists and engineers has contributed to the research. The vision of the project represents an ideal and real bridge to enhance the transferring of goods, ideas, knowledge and values and promote the connection of people.
The Informed Eye
THE INFORMED EYE is a beautiful and blessedly straightforward exposition of the essential principles and history of Western art. In these pages the distinguished art historian Bruce Cole uses a progression of concise, specific explorations—one might call them case studies—of individual works of art or groups of related works to explore the defining characteristics of great art.
Caravaggio
After staying in Milan for his apprenticeship, Michelangelo da Caravaggio arrived in Rome in 1592. There he started to paint with both realism and psychological analysis of the sitters. Caravaggio was as temperamental in his painting as in his wild life. As he also responded to prestigious Church commissions, his dramatic style and his realism were seen as unacceptable. Chiaroscuro had existed well before he came on the scene, but it was Caravaggio who made the technique definitive, darkening the shadows and transfixing the subject in a blinding shaft of light. His influence was immense, firstly through those who were more or less directly his disciples. Famous during his lifetime, Caravaggio had a great influence upon Baroque art. The Genoese and Neapolitan Schools derived lessons from him, and the great movement of Spanish painting in the seventeenth century was connected with these schools. In the following generations the best endowed painters oscillated between the lessons of Caravaggio and the Carracci.
