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Focuses on the social, political, economic, and psychological roots of terrorism. This work offers an examination that explores the dynamics of contemporary terrorism as well as the possibilities and limitations of peace processes undertaken by governments that try to end terrorist violence, tracing the rise and growth of various terrorist groups.
The KGB, Russian Academic Imperialism, Ukraine, and Western Academia, 1946-2024 is a study of Soviet and Russian intelligence operations against the centers for Soviet studies in North American academia. Using recently opened archival KGB and US intelligence documents, memoirs, and personal interviews with former KGB officers in post-Soviet Ukraine, this book analyzes the Soviet strategy of "using their enemies" for promoting their own political interests, especially directed at the problems of Ukrainian nationalism and independence. This volume investigates KGB operations establishing a foothold within the American Slavic studies community during the Cold War. The KGB, and their current successors the Russian FSB, use Russian emigrants and academics to promote pro-Kremlin and pro-Putin myths within North American research institutes. Special attention is paid to the historical roots of contemporary Russian intelligence operations targeting American-Russian academics and promoting Russian state interests in the ongoing war against Ukraine.
The contributions gathered in this fascinating collection, in which scholars from a diverse range of disciplines share their perspectives on Russian covert activities known as Russian active measures, help readers observe the profound influence of Russian covert action on foreign states’ policies, cultures, people’s mentality, and social institutions, past and present. Disinformation, forgeries, major show trials, cooptation of Western academia, memory, and cyber wars, and changes in national and regional security doctrines of states targeted by Russia constitute an incomplete list of topics discussed in this volume. Most importantly, through a nexus of perspectives and through the prism...
"The end of the Second World War saw the emergence in Italy of the neorealism movement, which produced a number of films characterized by stories set among the poor and working class, often shot on location using non-professional actors. In this study Christopher Wagstaff provides an in-depth analysis of neorealist film, focusing on three films that have had a major impact on filmmakers and audiences around the world: Roberto Rossellini's Roma città aperta and Paisà and Vittorio De Sica's Ladri di biciclette. Indeed, these films are still, more than half a century after they were made, among the most highly regarded works in the history of cinema. In this insightful and carefully researche...
Che rapporto intercorre tra l'Intelligence e la politica internazionale? Quale tipo di variabile può essere considerata per la teoria delle relazioni internazionali? Quale valore strategico hanno le "armi cibernetiche"? Come i big data cambiano il processo di Intelligence? Quale ruolo gioca l'economia nel contesto post-bipolare? Questo libro tenta di colmare un vuoto teorico paradossale, ovvero la trattazione di uno degli strumenti più importanti della competizione internazionale in relazione al contesto in cui opera. Determinanti come la guerra, l'insicurezza e la segretezza non possono che essere fondamentali strumenti interpretativi della realtà che ci circonda. La tesi proposta nel pr...
Emphasizing the importance of cultural theory for film history, Giuliana Bruno enriches our understanding of early Italian film as she guides us on a series of "inferential walks" through Italian culture in the first decades of this century. This innovative approach---the interweaving of examples of cinema with architecture, art history, medical discourse, photography, and literature--addresses the challenge posed by feminism to film study while calling attention to marginalized artists. An object of this critical remapping is Elvira Notari (1875-1946), Italy's first and most prolific woman filmmaker, whose documentary-style work on street life in Naples, a forerunner of neorealism, was popu...
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A History of Italian Cinema, 2nd edition is the much anticipated update from the author of the bestselling Italian Cinema - which has been published in four landmark editions and will celebrate its 35th anniversary in 2018. Building upon decades of research, Peter Bondanella and Federico Pacchioni reorganize the current History in order to keep the book fresh and responsive not only to the actual films being created in Italy in the twenty-first century but also to the rapidly changing priorities of Italian film studies and film scholars. The new edition brings the definitive history of the subject, from the birth of cinema to the present day, up to date with a revised filmography as well as more focused attention on the melodrama, the crime film, and the historical drama. The book is expanded to include a new generation of directors as well as to highlight themes such as gender issues, immigration, and media politics. Accessible, comprehensive, and heavily illustrated throughout, this is an essential purchase for any fan of Italian film.