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The contributions gathered in this fascinating collection, in which scholars from a diverse range of disciplines share their perspectives on Russian covert activities known as Russian active measures, help readers observe the profound influence of Russian covert action on foreign states’ policies, cultures, people’s mentality, and social institutions, past and present. Disinformation, forgeries, major show trials, cooptation of Western academia, memory, and cyber wars, and changes in national and regional security doctrines of states targeted by Russia constitute an incomplete list of topics discussed in this volume. Most importantly, through a nexus of perspectives and through the prism...
Focuses on the social, political, economic, and psychological roots of terrorism. This work offers an examination that explores the dynamics of contemporary terrorism as well as the possibilities and limitations of peace processes undertaken by governments that try to end terrorist violence, tracing the rise and growth of various terrorist groups.
The KGB, Russian Academic Imperialism, Ukraine, and Western Academia, 1946-2024 is a study of Soviet and Russian intelligence operations against the centers for Soviet studies in North American academia. Using recently opened archival KGB and US intelligence documents, memoirs, and personal interviews with former KGB officers in post-Soviet Ukraine, this book analyzes the Soviet strategy of "using their enemies" for promoting their own political interests, especially directed at the problems of Ukrainian nationalism and independence. This volume investigates KGB operations establishing a foothold within the American Slavic studies community during the Cold War. The KGB, and their current successors the Russian FSB, use Russian emigrants and academics to promote pro-Kremlin and pro-Putin myths within North American research institutes. Special attention is paid to the historical roots of contemporary Russian intelligence operations targeting American-Russian academics and promoting Russian state interests in the ongoing war against Ukraine.
An estimated 25,000 Ukrainians served in the Fourteenth Waffen-SS “Galicia” Division. Conflicting accounts of their reasons for enlistment and continuing accusations of wartime criminality have fuelled controversial debate for decades. The first comprehensive study of the division to address both its wartime experience and its postwar fate, In the Maelstrom draws on archival research that includes interrogation records, interviews, memoirs, testimonies, and creative literature. The accounts of veterans often begin with being drafted into the force in their teenage years and continue into postwar life in Italian and British internment camps. These reminiscences are compared with wartime r...
Che rapporto intercorre tra l'Intelligence e la politica internazionale? Quale tipo di variabile può essere considerata per la teoria delle relazioni internazionali? Quale valore strategico hanno le "armi cibernetiche"? Come i big data cambiano il processo di Intelligence? Quale ruolo gioca l'economia nel contesto post-bipolare? Questo libro tenta di colmare un vuoto teorico paradossale, ovvero la trattazione di uno degli strumenti più importanti della competizione internazionale in relazione al contesto in cui opera. Determinanti come la guerra, l'insicurezza e la segretezza non possono che essere fondamentali strumenti interpretativi della realtà che ci circonda. La tesi proposta nel pr...
"The end of the Second World War saw the emergence in Italy of the neorealism movement, which produced a number of films characterized by stories set among the poor and working class, often shot on location using non-professional actors. In this study Christopher Wagstaff provides an in-depth analysis of neorealist film, focusing on three films that have had a major impact on filmmakers and audiences around the world: Roberto Rossellini's Roma città aperta and Paisà and Vittorio De Sica's Ladri di biciclette. Indeed, these films are still, more than half a century after they were made, among the most highly regarded works in the history of cinema. In this insightful and carefully researche...
Ruth Ben-Ghiat provides the first in-depth study of feature and documentary films produced under the auspices of Mussolini’s government that took as their subjects or settings Italy’s African and Balkan colonies. These "empire films" were Italy's entry into an international market for the exotic. The films engaged its most experienced and cosmopolitan directors (Augusto Genina, Mario Camerini) as well as new filmmakers (Roberto Rossellini) who would make their marks in the postwar years. Ben-Ghiat sees these films as part of the aesthetic development that would lead to neo-realism. Shot in Libya, Somalia, and Ethiopia, these movies reinforced Fascist racial and labor policies and were largely forgotten after the war. Ben-Ghiat restores them to Italian and international film history in this gripping account of empire, war, and the cinema of dictatorship.
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Through her study of the narrative themes and strategies of Italian commercial sound films of the fascist era, Marcia Landy shows that cultural life under fascism was not monopolized by official propaganda. Originally published in 1986. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Emphasizing the importance of cultural theory for film history, Giuliana Bruno enriches our understanding of early Italian film as she guides us on a series of "inferential walks" through Italian culture in the first decades of this century. This innovative approach---the interweaving of examples of cinema with architecture, art history, medical discourse, photography, and literature--addresses the challenge posed by feminism to film study while calling attention to marginalized artists. An object of this critical remapping is Elvira Notari (1875-1946), Italy's first and most prolific woman filmmaker, whose documentary-style work on street life in Naples, a forerunner of neorealism, was popu...