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Poetry. Latino/Latina Studies. Art. Hand-sewn and bound in a recycled cardboard cover. Translated from the Spanish by Anthony Seidman."We hear Cardoza defend poetry not as an activity in service of the revolution, but as the expression of perpetual human subversion. Cardoza was the bridge between the vanguard and the poets of my age. A bridge extending not between two shores, but between two opposing forces." Octavio Paz "Luis Cardoza y Aragon knows that his own existence and his capacity to interpret exactly the reason for his current location justifies the celebration of this refulgent promenade through the future. He knows that he can bend poetry in his favor. He can be swift and expose t...
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'NDiaye is a hypnotic storyteller with an unflinching understanding of the rock-bottom reality of most people's life.' New York Times ' One of France's most exciting prose stylists.' The Guardian. Obsessed by her encounters with the mysterious green women, and haunted by the Garonne River, a nameless narrator seeks them out in La Roele, Paris, Marseille, and Ouagadougou. Each encounter reveals different aspects of the women; real or imagined, dead or alive, seductive or suicidal, driving the narrator deeper into her obsession, in this unsettling exploration of identity, memory and paranoia. Self Portrait in Green is the multi-prize winning, Marie NDiaye's brilliant subversion of the memoir. Written in diary entries, with lyrical prose and dreamlike imagery, we start with and return to the river, which mirrors the narrative by posing more questions than it answers.
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Profiles the life and work of a nineteenth century pioneer of photography and offers a selection of her portraits of women
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