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Caracas Litoral, Venezuela
"Caracas Litoral, Venezuela looks at the challenges, obstacles, and opportunities facing the reconstruction of coastal communities near Caracas, after mudslides devastated these areas in December 1999. Already in the midst of informal land development, affluent weekend residents from Caracas had awkwardly occupied this dramatic and precarious strip of coastland between the Gulf of Mexico and the Avila Mountain--"also shared with the national airport and second largest seaport. In a city where most of the urban population lives in informal housing, the contested nature of redevelopment--"emergent social, economic, and cultural patterns confronting traditional patterns of settlement--"could easily be predicted. Fully bilingual, in English and Spanish, this book explores opportunities that unite the various constituencies through innovative programming, sustainable geological/hydrological infrastructure, and economically viable housing and commercial development.
Drawing from the Modern
Published on the occasion of the exhibition held at the Museum of Modern Art, New York, Mar. 30-Aug. 29, 2005.
The Life and Times of Pancho Villa
Based on archival research, this study of Pancho Villa aims to separate myth from history. It looks at Villa's early life as an outlaw and his emergence as a national leader, and at the special considerations that transformed the state of Chihuahua into a leading centre of revolution.
An Atlas of Drawings
This publication approaches MoMA's incomparable drawings collection from a new direction, presenting works not by date but by specific sequences of forms. It suggests that the meaning of a work of art depends not only on its own internal structures but also on relationships to other works.
How a Revolutionary Art Became Official Culture
This is a study of the reciprocal relationship between Mexican muralism and the three major Mexican museums&—the Palace of Fine Arts, the National History Museum, and the National Anthropology Museum.
The Judith Rothschild Foundation Contemporary Drawings Collection
Formed by Harvey S. Shipley Miller, trustee of the Judith Rothschild Foundation, and given to MoMA in 2005, The Judith Rothschild Foundation Contemporary Drawings Collection was conceived to be a broad survey of contemporary drawing practice, and it more than fulfils that goal, mixing drawings of the 1960s and 1970s with major works of the past twenty years by such artists as Kai Althoff, Robert Crumb, Peter Doig, Marcel Dzama, Mark Grotjahn, Charline von Heyl, Martin Kippenberger, Sherrie Levine, Agnes Martin, Fred Sandback, Paul Thel and Andrea Zittel, among many others. This definitive catalogue raisonné presents the collection as a whole, with an introduction by Christian Rattemeyer; five essays each focusing on a different geographic area of artistic production; images throughout; and a text on paper conservation.
Theories of the Nonobject
"Theories of the Nonobject investigates the crisis of the sculptural and painterly object in the concrete, neoconcrete, and constructivist practices of artists in Argentina, Brazil, and Venezuela, with case studies of specific movements, artists, and critics. Amor traces their role in the significant reconceptualization of the artwork that Brazilian critic and poet Ferreira Gullar heralded in 'Theory of the Nonobject' in 1959, with specific attention to a group of major art figures including Lygia Clark, Hélio Oiticica, and Gego, whose work proposed engaged forms of spectatorship that dismissed medium-based understandings of art. Exploring the philosophical, economic, and political underpinnings of geometric abstraction in post-World War II South America, Amor highlights the overlapping inquiries of artists and critics who, working on the periphery of European and US modernism, contributed to a sophisticated conversation about the nature of the art object"--Provided by publisher.
