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31 short stories and 108 poems represent a literary history of English writing in the Philippines, from the turn of the century to the present.
Originally published in hardcover in 2010 by Overlook Press.
This memoir provides an examination of the Philippines today, an island nation marked by both Spanish and American colonialism. Explores the complexity of the Philippines, from Muslim freedom fighters' mountain hideaways in the south to the isolated Batones islands in the north.
Learn about the rich history of Mission San Luis Rey de Francia: how it started, the people who ran it, the indigenous population, and its legacy today.
This book offers a history of this California mission and what life was like during the period
The Philippines, America's "showcase of democracy" and its only former colony in Asia, remains enigmatic to most Americans. What we know of this archipelago is very often condensed, filtered, or distorted y Western preconceptions and interpretations. Here, for the first time, are Filipino and Filipino American writers telling their lives in their own words. Here are stories of passion and betrayal, home and exile, the politics of the self and a nation in search of itself. Here are poems of such power and beauty that can rank among the best in the world. In these pages the reader will find familiar figures -- the greedy Marcoses, teenage gangs, game shows, rock star clones -- as well as characters and themes of every stripe and hue, from gay youngsters checking out surfer jocks in Hawai'i to Westernized girls coming out of convent school, from a searing recollection of gang rape to meditations on the spirit. Altogether, these works provide a deeper image of the Philippines and of Filipinos in America, as seen by some of the best writers from both sides of the world. Ultimately, it gives a unique and vivid perspective of America as well.
This “ groundbreaking book . . . is essential reading not only for the Filipino diaspora but for anyone who cares about the mysteries of racial identity” (Jose Antonio Vargas, Pulitzer Prize–winning journalist). Is race only about the color of your skin? In The Latinos of Asia, Anthony Christian Ocampo shows that what “color” you are depends largely on your social context. Filipino Americans, for example, helped establish the Asian American movement and are classified by the US Census as Asian. But the legacy of Spanish colonialism in the Philippines means that they share many cultural characteristics with Latinos, such as last names, religion, and language. Thus, Filipinos’ “c...
A compelling account of the consequences of American colonialism in the Philippines through critical and visual art essays.
The story is based on a fictional disaster that occurred in Peru on July 20, 1714. A rope bridge woven by the Incas on the road between Lima and Cuzco collapsed when five people were crossing it. They all fell into the river from a great height and were killed. Brother Juniper, a Franciscan friar who was about to cross the bridge himself, witnessed the tragedy. Being deeply pious, he saw in what happened a possible divine providence. Did the dead deserve to have their lives cut short in such a terrible way? The monk tries to learn as much as he can about the five victims, finding and questioning people who knew them. As a result of years of investigation, he compiles a voluminous book with all the evidence he has gathered that the beginning and end of human life are part of God's plan... The Bridge of San Luis Rey won the 1928 Pulitzer Prize for the Novel, and remains widely acclaimed as Wilder's most famous work. In 1998, the book was rated number 37 by the editorial board of the American Modern Library on the list of the 100 best 20th-century novels. Time magazine included the novel in its TIME 100 Best English-language Novels from 1923 to 2005.
Poetry. Multi-awarded poet Luis H. Francia offers a new poetry collection, Museum of Absences, a book out of Francia's insistent sense ofthe void that haunts our lives, whether because of politics, faith, history, or personal circumstance. The book introduces a wide arrayof personae, from a Filipino old-timer looking back on a life of invisibility to Cinderella in middle age, and from a grandson communingwith deceased grandparents to a New Yorker responding to the horror of "9/11." Nick Carbo says, "Luis H. Francia's themes of love, loss, and redemption weave through the collection with the expert hand of a Stephane Mallarme or a Federico Fellini.