Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Historical Abstracts
None
The War on Drugs
Here is the whole story of the world of drugs—from the infamous Opium Wars to the legal availability of narcotics in the United States during the past century; from the unexpected boost given to illicit drugs by Prohibition to the great success of the French Connection. The global drug trade is one of the most prominent examples of the law of supply and demand. Despite such countermeasures as the execution of narcotics dealers in China and the United States's much-ballyhooed "War on Drugs," drug traffickers have always managed to meet the demand and satisfy an ever-growing customer base. In addition to offering a wealth of little-known facts, The War on Drugs also covers major dealers, cartels, organizations, smuggling and anti-smuggling strategies, major miscalculations and disasters, drug epidemics, legal restraints, famous incidents, and more.
Annual Report
None
Self Portrait in Green
'NDiaye is a hypnotic storyteller with an unflinching understanding of the rock-bottom reality of most people's life.' New York Times ' One of France's most exciting prose stylists.' The Guardian. Obsessed by her encounters with the mysterious green women, and haunted by the Garonne River, a nameless narrator seeks them out in La Roele, Paris, Marseille, and Ouagadougou. Each encounter reveals different aspects of the women; real or imagined, dead or alive, seductive or suicidal, driving the narrator deeper into her obsession, in this unsettling exploration of identity, memory and paranoia. Self Portrait in Green is the multi-prize winning, Marie NDiaye's brilliant subversion of the memoir. Written in diary entries, with lyrical prose and dreamlike imagery, we start with and return to the river, which mirrors the narrative by posing more questions than it answers.
Interior Design on Edge
Interior Design on Edge explores ways that interiors both constitute and upset our edges, whether physical, conceptual or psychological, imagined, implied, necessary or discriminatory. The essays in this volume explore these questions in history, theory, and praxis through a focus on different periods, cultures, and places. Interior Design on Edge showcases new scholarship that expands and contests traditional relationships between architecture, interiors, and the people that use and design them, provoking readers to consider the interior differently, moving beyond its traditional, architectural definition. Focusing on the concept of interiority considered in a wider sense, it draws on interdisciplinary modes of investigation and analysis and reflects the latest theoretical developments in the fields of interior design history and practice. With new research from both established and emerging authors, this volume will make a valuable contribution to the fields of Interior Design, Architecture, Art and Design History, Cultural History, Visual Culture Studies, and Urban Studies.
