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In Jamaican dancehalls competition for the video camera's light is stiff, so much so that dancers sometimes bleach their skin to enhance their visibility. In the Bahamas, tuxedoed students roll into prom in tricked-out sedans, staging grand red-carpet entrances that are designed to ensure they are seen being photographed. Throughout the United States and Jamaica friends pose in front of hand-painted backgrounds of Tupac, flashy cars, or brand-name products popularized in hip-hop culture in countless makeshift roadside photography studios. And visual artists such as Kehinde Wiley remix the aesthetic of Western artists with hip-hop culture in their portraiture. In Shine, Krista Thompson examin...
Learn how to build machine translation systems with deep learning from the ground up, from basic concepts to cutting-edge research.
Essays by Dominic Molon and Michael Rooks. Excerpt by David Sedaris. Foreward by Judith Richards.
Transactions ISBN 0-934418-65-9 / 978-0-934418-65-2 Hardcover, 9 x 12 in. / 176 pgs / 100 color and 15 b&w. / U.S. $49.95 CDN $60.00 October / Art
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The "2002 Biennial Exhibition" is the 71st in the Whitney Museum's signature series highlighting the most significant developments in American art over the past few years. Throughout its history of support for the development of 20th-and 21st-century American art, the Whitney Museum has fostered contemporary artistic innovation and diversity through its acclaimed and often controversial Biennial. Countless prominent artists have made their museum debut at these diverse surveys of painting, sculpture, works on paper, film and video, performance, and installation. The current exhibition includes works by more than 100 artists in traditional Biennial mediums, as well as new inclusions such as web-related, digital, and sound art.