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Hispanic Studies; Literature; Latin American Studies.
Examining the "reading revolution" of the eighteenth and nineteenth centuries through the work of painter Francisco Goya
This volume explores the role played by culture in the transition to democracy in Latin America's Southern Cone (Argentina, Uruguay, Chile) and Spain, with a focus on opposing stances of acceptance and defiance by artists and intellectuals in post-authoritarian regimes.
How the sustained scrutiny of the ever-evolving idea of Europe by artists and intellectuals helped pave the way for the current protests against the European Union
Essays focus on Baroque as a concept and category of analysis which has been central to an understanding of Hispanic cultures during the last several hundred years
Poetic making from Cervantes and Gongora to Descartes and Locke
Significant places and spaces, from Granada and Catalonia to Buenos Aires and the Chicago Columbian Exposition
In the seventeenth century, even as the Spanish Habsburg monarchy entered its irreversible decline, the capital of its most important overseas territory was flourishing. Nexus of both Atlantic and Pacific trade routes and home to an ethnically diverse population, Mexico City produced a distinctive Baroque culture that combined local and European influences. In this context, the American-born descendants of European immigrants—or creoles, as they called themselves—began to envision a new society beyond the terms of Spanish imperialism, and the writings of the Mexican polymath Carlos de Sigüenza y Góngora (1645-1700) were instrumental in this process. Mathematician, antiquarian, poet, an...
Góngora's Soledades, the major lyric poem of the Spanish Baroque. Combining philological rigor with a capacity to engage the most contemporary transatlantic and comparatist concerns, this work situates Luis de Góngora's Soledades within the problematic evolution of Hispanic modernity. As well as offering an insightful analysis of the Soledades as an expression of the Baroque crisis in all its facets -epistemological, ontological, cultural and historical - the author reads the fragmented lyric subject of Gongorist poetics back against Renaissance precursors [Rojas' Celestina and the poetry of Boscán and Garcilaso] and in anticipation of the truncated and isolated subject of modernity. The study concludes with an examination of the interaction between the legacies of Gongorism and French Symbolism in the work of selected poets of the Latin American Vanguard [Gorostiza, Paz and Vallejo]. CRYSTAL ANNE CHEMRIS is Visiting Assistant Professorof Spanish at the University of Iowa.
By exploring manifestations of normative and non-normative thinking in the geopolitical and cultural contexts of Early Modern Italy, Spain, and the American colonies, this volume hopes to encourage interdisciplinary discussions on the early modern notions of reason and unreason, good and evil, justice and injustice, center and periphery, freedom and containment, self and other.