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Sobre a obra Ministério Público Estratégico - Violência de Gênero - 1a Ed - 2022 - Volume 1 O Ministério Público como instituição permanente, essencial à função jurisdicional do Estado, incumbido da defesa da ordem jurídica, do regime democrático e dos interesses sociais e individuais indisponíveis, sempre foi campo fértil de ideias e de protagonismos em inúmeras transformações jurídicas e sociais ao longo do tempo. Já a sociedade e o Estado encontram-se em constante movimento, devendo debater questões afetas a todos, sem qualquer tipo de distinção, visando ao aperfeiçoamento e à pacificação do convívio social. Partindo destas premissas, o Ministério Público do...
The turbulent years of the 1930s were of profound importance in the life of Spanish film director Luis Buñuel (1900–1983). He joined the Surrealist movement in 1929 but by 1932 had renounced it and embraced Communism. During the Spanish Civil War (1936–39), he played an integral role in disseminating film propaganda in Paris for the Spanish Republican cause. Luis Buñuel: The Red Years, 1929–1939 investigates Buñuel’s commitment to making the politicized documentary Land without Bread (1933) and his key role as an executive producer at Filmófono in Madrid, where he was responsible in 1935–36 for making four commercial features that prefigure his work in Mexico after 1946. As for...
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Luis Buñuel: A Life in Letters provides access for the first time to an annotated English-language version of around 750 of the most important and most widely relevant of these letters. Buñuel (1900-1983) came to international attention with his first films, Un Chien Andalou (with Dalí, 1929) and L'Âge d'Or (1930): two surprisingly avant-garde productions that established his position as the undisputed master of Surrealist filmmaking. He went on to make 30 full-length features in France, the US and Mexico, and consolidated his international reputation with a Palme d'Or for Viridiana in 1961, and an Academy Award in 1973 for The Discreet Charm of the Bourgeoisie. He corresponded with some of the most famous writers, directors, actors and artists of his generation and the list of these correspondents reads like a roll call of major twentieth-century cultural icons: Fellini, Truffaut, Vigo, Aragon, Dalí, Unik - and yet none of this material has been accessible outside specialist archives and a very small number of publications in Spanish and French.
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