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Spain
From bloodthirsty conquest to exotic romance, stereotypes of Spain abound. This new volume by distinguished historian Stanley G. Payne draws on his half-century of experience to offer a balanced, broadly chronological survey of Spanish history from the Visigoths to the present. Who were the first “Spaniards”? Is Spain a fully Western country? Was Spanish liberalism a failure? Examining Spain’s unique role in the larger history of Western Europe, Payne reinterprets key aspects of the country’s history. Topics include Muslim culture in the peninsula, the Spanish monarchy, the empire, and the relationship between Spain and Portugal. Turning to the twentieth century, Payne discusses the ...
King of the Night
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1989.
Cortes
A detailed history of the controversial explorer and his interactions with Aztec tribes and other groups in Central America.
To Painting
A bilingual anthology by a Spanish poet, illustrated with paintings that inspired it. In the poem, Botticelli, accompanied by the painting, The Birth of Venus, he writes: "Upon the sea / all is curling witchery, / twirling curl / & rippling wave, / a geometric order / carried to the border / by uncooling winds that shower bird & flower."
Bello and Bolívar
As Andrés Bello predicted in 1823, the glory of Simón Bolívar has continued to grow since the Spanish American Revolution. The Revolution is still viewed as an almost mythical quest, and the name of the Libertador has become synonymous with the region's hopes for integration. In this 1992 book, the official history of the Revolution - the heroic history of Bolívar - is replaced by the account of Bello, who was first Bolívar's teacher and later his critic. Through a detailed study of the manuscripts of Bello's unfinished poem América, Antonio Cussen reconstructs Bello's version of the Revolution and seeks to understand its political and cultural consequences. The author argues that Bello recorded the disintegration of the Augustan model of power and intimated the inevitable approach of liberalism with a certain longing for the classical culture of his youth.
The Politics of Spanish American 'Modernismo'
This 1998 book studies the ways in which nineteenth-century Spanish American writers and intellectuals imagined, described, and promoted idealized notions of a pan-Hispanic culture.
The Spanish American Novel
In The Spanish American Novel, John S. Brushwood analyzes the twentieth-century Spanish American novel as an artistic expression of social reality. In relating the generic history of the novel to extraliterary events in Spanish America, he shows how twentieth-century fiction sets forth the essence of such phenomena as the first Perón regime, the Mexican Revolution, the Che Guevara legend, indigenismo, and the strongman political type. In essence, he views the novel as art rather than as document, but not as art alienated from society. The discussion is organized chronologically, opening with the turn of the century and focusing on novels from 1900 to 1915 that exemplify various aspects of t...
New Galdós Studies
The master of the realist novel of nineteenth-century Spain, Benito Pérez Galdós, is the subject of these new studies. The master of the realist novel of nineteenth-century Spain, Benito Pérez Galdós, is the subject of New Galdós Studies, offered in memory of John Varey, author of Galdós Studies, the foundational text for contemporary Galdosian scholarship. Eamonn Rodgers describes Galdós's early readership and reception; James Whiston illustrates Galdós's creativity in Lo prohibido; Rhian Davies explores the enrichment of the novelist's language in Torquemada en la Cruz; Teresa Fuentes Peris demonstrates Galdós's radical critique of dominant social assumptions in Fortunata y Jacinta; Alex Longhurst deals with the representation of poverty in Misericordia while Lisa Condé detects a feminist intention in Tristana; Eric Southworth finds rich cultural and spiritual allusion in the same work; Nichols Round relates the deaths of children in the Torquemada novels and Angel Guerra to end-of-century ideological concerns.
