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This book shows that the known accounts of Galileo's trial leave many important facts unexplained or even clash with them. A most careful reading of the relevant documents and treatises backs an interpretation which has Pope Urban VIII sue Galileo for denying God's omnipotence or His omniscience by admitting the «absolute truth» of Copernicanism. The Pope's opinion results from an argument he fully trusts, together with his belief that Galileo failed to fulfill a condition to which the publication of the Dialogue was subjected. That the trial does not end with a conviction for Urban's awful «formal heresy» but merely for «vehement suspicion of heresy», with the «heresy» consisting in the pseudo-heretical belief in a doctrine contrary to the Bible, all this is due to the existence of a Galileo-friendly party inside the Holy Office, led by Cardinal Francesco Barberini and powerful enough to wring a compromise from the Pope.
Contemporary biographies of Galilei emphasize, in several places, that he was a masterful draughtsman. In fact, Galilei studied at the art academy, which is where his friendship with Ludovico Cigoli developed, who later became the official court artist. The book focuses on this formative effect – it tracks Galilei’s trust in the epistemological strength of drawings. It also looks at Galilei’s activities in the world of art and his reflections on art theory, ending with an appreciation of his fame; after all, he was revered as a rebirth of Michelangelo. For the first time, this publication collects all aspects of the appreciation of Galilei as an artist, contemplating his art not only as another facet of his activities, but as an essential element of his research.
His biography of Galileo won the Brage Award for best Norwegian non-fiction book in 2001 The Norwegian edition has sold nearly 6000 copies Biographies as a genre are very popular
In this book I have attempted to chart a path for the reader toward understanding how rigorous empirical scientific thought and solid, informed as well as inspired religious faith are in fact congruent with respect to evolution. The instruments that are used in this book to chart this path include: (1) the findings of scripture scholars regarding the Genesis creation narratives; (2) the basic biology of evolution and genetics; (3) the basics of the sciences of complexity; (4) the philosophy and theology behind the positions people take with respect to evolution and religious faith; (5) the thinking of Pierre Teilhard de Chardin on evolution and God, and (6) the evolutionary theology of John Haught. In the remote wilderness there are two clearwater streams that at close range apparently flow from different mountaintops – but which, when viewed from farther away, can be seen to flow from two ridges of the same mountain. Somewhere in the wilds, the two streams join – become confluent. The purpose of this book is to find this confluence.
The series of texts on Classical Theoretical Physics is based on the highly successful courses given by Walter Greiner. The volumes provide a complete survey of classical theoretical physics and an enormous number of worked out examples and problems.
Physics and Literature is a unique collaboration between physicists, literary scholars, and philosophers, the first collection of essays to examine together how science and literature, beneath their practical differences, share core dimensions – forms of questioning, thinking, discovering and communicating insights.This book advances an in-depth exploration of relations between physics and literature from both perspectives. It turns around the tendency to discuss relations between literature and science in one-sided and polarizing ways. The collection is the result of the inaugural conference of ELINAS, the Erlangen Center for Literature and Natural Science, an initiative dedicated to buil...
An enlightened discussion of all relevant aspects of architecture shows the necessity for revision of commonly held assumptions about the nature of architectural history, theory, representation, and ideation; the production of buildings in the postindustrial city; and professional ethics. These topics provide the basis for the fourteen interdisciplinary papers presented here. The introductory section includes an examination of the epistemological origins of technology in the early modern European context and two alternative visions of ethics and its potential relevance for architecture. The second part presents four perspectives on important questions about how we represent buildings and the...
The 13th edition of the International Who's Who in Poetry is a unique and comprehensive guide to the leading lights and freshest talent in poetry today. Containing biographies of more than 4,000 contemporary poets world-wide, this essential reference work provides truly international coverage. In addition to the well known poets, talented up-and-coming writers are also profiled. Contents: * Each entry provides full career history and publication details * An international appendices section lists prizes and past prize-winners, organizations, magazines and publishers * A summary of poetic forms and rhyme schemes * The career profile section is supplemented by lists of Poets Laureate, Oxford University professors of poetry, poet winners of the Nobel Prize for Literature, winners of the Pulitzer Prize for American Poetry and of the King's/Queen's Gold medal and other poetry prizes.
Based on refractions of earlier beliefs, modern angels - at once terrible and comforting, frighteningly other and reassuringly beneficent - have acquired a powerful symbolic value. This interdisciplinary study looks at how humans conversed with angels in medieval and early modern Europe, and how they explained and represented these conversations.
In 1573, the alchemist Anna Zieglerin gave her patron, the Duke of Braunschweig-Wolfenbüttel, the recipe for an extraordinary substance she called the lion's blood. She claimed that this golden oil could stimulate the growth of plants, create gemstones, transform lead into the coveted philosophers' stone—and would serve a critical role in preparing for the Last Days. Boldly envisioning herself as a Protestant Virgin Mary, Anna proposed that the lion's blood, paired with her own body, could even generate life, repopulating and redeeming the corrupt world in its final moments. In Anna Zieglerin and the Lion's Blood, Tara Nummedal reconstructs the extraordinary career and historical afterlif...