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When Luke Taylor's father leaves home to fight for the South in the Civil War, it's up to Luke to be the man of his family. Luke struggles to keep his family safe as Union soldiers march through the South burning crops, destroying buildings, and killing livestock. When a band of renegades dressed as Union soldiers attacks his home, killing his brother and beating him and his mother, Luke must leave the farm to find his father. Luke and his father return to see their farm facing a new threat-carpetbaggers from the North who threaten to seize their land. When Luke and his father resist, Luke has to kill a carpetbagger to defend his father. The leader of the carpetbaggers reports to the Union a...
In the end of the Age, a champion has arisen. Blood has been spilt and nations torn asunder at the hands of The Warrior Who Knows No Defeat. So too, in the end of the Age, a venemous contender ascends; a foe of death and darkness, of hatred and hunger. Of Ageless Evil. For the end of the Age reveals secrets and forges destinies; interlocking hearts and minds, spinning Eternal tapestries in the stars. The end marks the path of conflict in steel and stone. The Duel begins.
Albanland. Emerald hills and ice blue lochs, bordered by Nørds raiders and the haughty monarchs of South Angle, each dynasty eager to seize lands weakened by a civil war in which a usurper has risen to seize the cloven throne. Morgance, Faer Princess of the Night. And by her side, the fearsome Ultan Skölhammer, sworn Guardian of the Crown. But Rhoswen, rightful heir to the throne, princess in exile, leads a final uprising from the depths of the forest, an uprising that twists together the lives of the most unlikely companions. A notorious thief accused of a crime she did not commit. A baird apprentice searching for the meaning of life. A pair of brothers who can¿t seem to stay out of trouble. And a gypsy bound to the ancient artifact known only as the Vault of Dreams.
This volume gathers together authors and critics to reappraise the legacy of Sinclair Ross. Beyond Ross' major novel As For Me and My House, the contributors reestablish the value of his other writings in their literary and historical contexts. Published in English.
Morris's study on the Gospel of Luke is part of the Tyndale New Testament Commentaries, a popular series designed to help the general Bible reader understand clearly what the text actually says and what it means, without overuse of scholarly technicalities.
Using stylistic, formal and thematic criteria, Paffenroth reconstructs a pre-Lukan source (L) for much of the unique material in Luke 3-19. This source portrays Jesus primarily as a healer and teller of parables, a portrayal very different from that of the suffering Son of Man in Mark, the aphoristic teacher of Wisdom in Q, or the depiction of Jesus as universal saviour that Luke himself prefers. This source is quite primitive, probably earlier than Mark, perhaps as early as Q, to which it is quite similar in form, if not content.
Bible Reading Plan with thoughts from Pastor Luke Taylor Part 1 - January to June This is not intended to be a comprehensive commentary on the bible, but it's a record of what has occurred to Luke and ministered to him as he has read through the bible in a year. He hopes that they are a blessing and a challenge to you too.
A bestseller “alive with the bustle of ancient times” that “movingly reconstructs St. Luke’s search for God” (The New York Times). Two millennia ago, a Greek man known as Lucanus traveled to Alexandria to study medicine. He would become one of the greatest doctors of his time and heal the sick all throughout the Mediterranean world. But his extraordinary work as a physician is not his greatest legacy. Today he is known around the world as St. Luke—author of the third Gospel of the New Testament. He never laid eyes on Jesus, but he heard about Christ’s life and death, and saw God in Him. He retraced Jesus’s steps and sought out those who had known Him—including His mother, M...
In this study Heather Gorman analyses Luke's portrayal of Jesus' death in light of the ancient rhetorical tradition, particularly the progymnasmata and the rhetorical handbooks. In addition to providing a detailed, up-to-date exegetical study of Luke 22:66-23:49, she argues three things. First, through the strategic placement of rhetorical figures and the use of common topics associated with refutation and confi rmation, Luke structures his passion narrative as a debate about Jesus' innocence, which suggests that one of Luke's primary concerns is to portray Jesus as politically innocent. Second, ancient examples of synkrisis suggest that part of the purpose of Luke's characterisation of Jesus in the passion narrative, especially when set in parallel to Paul and Stephen in Acts, was to set up Jesus as a model for his followers lest they face similar persecution or death. Finally, Luke's special material and his variations from Mark are explicable in terms of ancient compositional techniques, especially paraphrase and narration, and thus recourse to a special Passion Source is unnecessary.
Seven years ago, Luke Benning and Jenny Perrin were two college students working in Washington for the summer. Jenny was an idealist, eager to save the world and planning to become a teacher. Luke was the son of a wealthy, well-connected father who had mapped Luke’s entire life out for him. Luke didn’t want to attend an elite law firm and become a power-broker like his father, but he desperately craved his father’s approval. Jenny’s friendship and love gave him the strength to stand up to his father and to take control of his own life. How could Luke not love the strong, spirited woman who had rescued him from his father’s manipulations? But then she disappeared. And seven years later reappeared. Only now she’s different: still strong and spirited but no longer the idealist. Something happened to turn her cynical and fearful inside. As happy as she is that Luke has found her, she no longer trusts him, or herself. Seven years before, she had saved him. Now Luke is determined to save her.