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Official Gazette
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Philippine English
An overview and analysis of the role of English in the Philippines, the factors that led to its spread and retention, and the characteristics of Philippine English today.
Popular Music in East and Southeast Asia
Popular Music in East and Southeast Asia: Sonic (under)Currents and Currencies presents contemporary perspectives of the music discipline in East and Southeast Asia. It considers global influences, national industries, and regional genres with examples from Malaysia, Indonesia, Singapore, Taiwan, the Philippines, Hong Kong, Japan, South Korea, and the United States. This book contains local perspectives on the conceptualisation of music genres, scenes, and industries, offering a comprehensive inter-Asia matrix for popular music studies. This book is suitable for educators and music enthusiasts.
Historical Companion to Postcolonial Literatures - Continental Europe and its Empires
The first reference work to provide an integrated and authoritative body of information about the political, cultural and economic contexts of postcolonial literatures that have their provenance in the major European Empires of Belgium, Denmark, France, G
Fabulists and Chroniclers
Has its close connections with academe enriched or diminished Philippine literature in English? Are there alternatives to academe as literary arbiters? How do contemporary Filipino women writers "perform" the modern wonder tale? These are some of the questions that Hidalgo asks in her latest book.
Dark Days of Authoritarianism
The history of the Philippines is a long and complex one but the stories and reflections in Dark Days of Authoritarianism, from remarkable individuals who were willing to stake their lives for freedom, shed light on life under the martial law instituted by President Ferdinand Marcos from 1972 to 1981, and up to the peaceful popular uprising of 1986. This book not only covers the social, economic and political conditions across the country during martial law but also how those conditions affected ordinary people personally and spiritually. Many of the contributions illustrate the strength and determination of Philippine women to create a better society despite being met by great adversity and the importance of Christian faith for sustaining the lives of those who suffered and survived this tumultuous period. This book provides important lessons for a new generation facing the menace of authoritarianism today, wherever they are, to fight for democracy and resist any attempts to diminish people’s freedom.
Finding Our Feet
For Westerners and Americans in particular, Philippine culture is deceptively familiar. Vestiges of Spanish and American colonial culture, as well as contemporary American media, have created resonances for identifying American culture in Philippine culture. This book guides the reader in re-examining these assumptions of sameness. By taking an unfamiliar text of a noted writer of Tagalog fiction, this study restores the sense of wonder in experiencing Tagalog culture on its own terms rather than by tastes dictated from the outside. The book also examines the broader Tagalog traditions in which the writer, Amado Hernandez, wrote.
Critical Perspectives on Literature and Culture in the New World Order
The fifteen chapters in this volume explore both new and tested theoretical perspectives on literature and culture at large; this multiplicity of discourses is a reflection of the implicit discontent in conforming to the New World Order, and a contestation against hierarchical relationships between countries, which inform the social, cultural and political climates of weaker nations. With the political and economic hegemony of stronger nations, weaker nations run the risk of being dominated, or at the very least, having their own national identity and sovereignty steeped in ambivalence in the face of a globalised culture. This volume hopes to bring together critical views in relation to the ...
Philippine Studies
These essays by Philippine and U.S.-based scholars illustrate the dynamism and complexities of the discursive field of Philippine studies as a critique of vestiges of "universalist" (Western/hegemonic) paradigms; as an affirmation of "traditional" and "emergent" cultural practices; as a site for new readings of "old" texts and "new" popular forms brought into the ambit of serious scholarship; and as a liberative space for new art and literary genres.
