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The Architecture of Closed Worlds
What do outer space capsules, submarines, and office buildings have in common? Each is conceived as a closed system: a self-sustaining physical environment demarcated from its surroundings by a boundary that does not allow for the transfer of matter or energy. Contemporary discussions about global warming, recycling, and sustainability have emerged as direct conceptual constructs related to the study and analysis of closed systems. From the space program to countercultural architectural groups experimenting with autonomous living, this publication documents a disciplinary transformation and the rise of a new environmental consensus in the form of a synthetic naturalism. It presents an archive of 39 historical living prototypes from 1928 to the present that put forth an unexplored genealogy of closed resource regeneration systems. Prototypes are presented through unique discursive narratives with historical images, and each includes new analysis in the form of a feedback drawing that problematizes the language of environmental representation by illustrating loss, derailment, and the production of new substances and atmospheres.
Histories of Ecological Design
This book documents the intersection of architecture and design with ecology, environmental history, policy, governance and law from the 19th century to today. It presents conflicting definitions and concepts of architects and designers and the parallel histories of their intellectual positions toward environmental throughout time. There have been many accounts on the history of ecology and others on the migration of ecological thought to design and architecture practice. Yet, the work of a focused and expanded history of ecological design is much needed. This book presents conflicting definitions and concepts of architects and designers and the parallel histories of their intellectual positions toward environmental thought from the 19th century to today.To survey the formation of this field, the history of ecological design will be not be exclusively examined chronologically, but also in connected worldviews, each rendering evolving perceptions of nature, its relation to culture, and the occupation of the natural world by human and non-human subjects.
EcoRedux
This issue of AD explores the remarkable resurgence of ecological strategies in architectural imagination. As a symptom of a new sociopolitical reality inundated with environmental catastrophes, sudden climatic changes, garbage-packed metropolises and para-economies of non-recyclable e-waste, environmental consciousness and the image of the earth re-emerges, after the 1960s, as an inevitable cultural armature for architects; now faced with the urgency to heal an ill-managed planet that is headed towards evolutionary bankruptcy. At present though, in a world that has suffered severe loss of resources, the new wave of ecological architecture is not solely directed to the ethics of the world's ...
idea journal: interior technicity: unplugged and/or switched on
Interior Technicity: Unplugged and/ or Switched On invites reflection on how interiors have always been augmenting entities and how they continue to be so—in other words, extending, facilitating and consolidating bodies within socio-cultural environments. Rather than seeing an interior as an 'inside' in opposition to a world beyond, it asks what modes of 'folding inward' have equipped and enabled the spatial environment? Technicity—the world of tools and technical objects that extend and mediate memory, as Bernard Steigler (1998) describes it—has never been what inside-ness, in its sheltering of life, keeps at bay; mediation is from the start technical, indexed to inscribing practices ...
Architecture in Formation
Architecture in Formation is the first digital architecture manual that bridges multiple relationships between theory and practice, proposing a vital resource to structure the upcoming second digital revolution. Sixteen essays from practitioners, historians and theorists look at how information processing informs and is informed by architecture. Twenty-nine experimental projects propose radical means to inform the new upcoming digital architecture. Featuring essays by: Pablo Lorenzo-Eiroa, Aaron Sprecher, Georges Teyssot, Mario Carpo, Patrik Schumacher, Bernard Cache, Mark Linder, David Theodore, Evan Douglis, Ingeborg Rocker and Christian Lange, Antoine Picon, Michael Wen-Sen Su, Chris Perr...
The New Normal
Strelka Institute of Media, Architecture, and Design was founded by entrepreneur and philanthropist Alexander Mamut in 2009 to change the cultural and physical landscapes of Russian cities. The institute promotes positive changes and creates new ideas and values through its educational activities. This thorough, inspirational book is the first major publication emerging from Strelka's The New Normal program. The institute's most ambitious research unit focuses on research and design for Moscow and explores the opportunities posed by emerging technologies for interdisciplinary urban design practices. Strelka is a speculative urbanism think-tank and a platform for the invention and articulatio...
Superhumanity
A wide-ranging and challenging exploration of design and how it engages with the self The field of design has radically expanded. As a practice, design is no longer limited to the world of material objects but rather extends from carefully crafted individual styles and online identities to the surrounding galaxies of personal devices, new materials, interfaces, networks, systems, infrastructures, data, chemicals, organisms, and genetic codes. Superhumanity seeks to explore and challenge our understanding of “design” by engaging with and departing from the concept of the “self.” This volume brings together more than fifty essays by leading scientists, artists, architects, designers, p...
Aesthetics Equals Politics
How aesthetics—understood as a more encompassing framework for human activity—might become the primary discourse for political and social engagement. These essays make the case for a reignited understanding of aesthetics—one that casts aesthetics not as illusory, subjective, or superficial, but as a more encompassing framework for human activity. Such an aesthetics, the contributors suggest, could become the primary discourse for political and social engagement. Departing from the “critical” stance of twentieth-century artists and theorists who embraced a counter-aesthetic framework for political engagement, this book documents how a broader understanding of aesthetics can offer in...
Clip, Stamp, Fold
An explosion of little architectural magazines in the 1960s and 1970s instigated a radical transformation in architectural culture, as the magazines acted as a site of innovation and debate. Clip/Stamp/Fold takes stock of seventy little magazines from this period. The book brings together a remarkable range of documents and original research which the project has produced during its continuous travels over the last four years starting with the exhibition at the Storefront in November 2006. The book features transcripts from the “Small Talks” events in which editors and designers were invited to discuss their magazines; a stocktaking of over 100 significant issues that tracks the changing density and progression of the little magazine phenomenon; transcripts of more than forty interviews with magazine editors and designers from all over the world; a selection of magazine facsimiles; and a fold out poster that offers a mosaic image of more than 1,200 covers examined during the research.
Decoration
With Decoration, the long-running architecture journal 306090 enters a new era as it evolves into full-color book format. In this milestone volumemixing contemporary building projects with commentary and criticism from across the ideological spectrum, as well as interviews, studio profiles, and student work306090 takes on one of the very last taboos of contemporary architecture: decoration. Daring to discuss a phenomenon that surrounds us, but has been quietly ignored or dismissed by theorists and critics in the better part of the twentieth century, Decoration addresses emerging trends in design, planning, landscape, and education. Contributors to this landmark installment include Jesse Reiser, Kent Bloomer, Kengo Kuma, Nina Rappaport, and Meredith Warner.
