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Paco Rabanne : Creator of Chainmail Dresses and Plastic Accessories
Trained as an architect in Paris, Paco Rabanne rejected the world of couture, choosing metal rings and plastic rather than needle, thread and cloth. His designs, from garments made of aluminium to paper throwaway dresses, were described as unwearable. In the 1960s his accessories - sunglasses made of fur and huge, zany earrings - were a great commercial success. Paco Rabanne has had a great impact on the work of young designers today. This is an exploration of the designer's career and creations.
The House of Dior
Milestones of the Dior look from 1947 to now In celebration of Dior's 70th anniversary and produced in close collaboration with the House of Dior, one of the world's most prestigious couture houses, this beautiful publication features garments designed by Christian Dior Couture between 1947 and 2017 and more than 100 stunning images. The House of Diorexplores the story of the fashion house through a series of themes, featuring works by the seven designers who have played key roles in shaping Dior's renowned fashionable silhouette: Christian Dior, Yves Saint Laurent, Marc Bohan, Gianfranco Ferré, John Galliano, Raf Simons and Maria Grazia Chiuri. It narrates Dior's rich history, including Ch...
Lesage
"Inheriting the long artistic tradition in the service of luxurious and distinctive clothing is "Master Embroider" Francois Lesage, whose embroidery has changed the course of fashion during the twentieth century. The name Lesage has been associated with the most important figures of haute couture: from the purity of Madeleine Vionnet to the surreal extravagance of Elsa Schiaparelli to the perfection of Cristobal Balenciaga to the prowess of Karl Lagerfeld for Chanel. The greatest fashion designers demanded to work with Lesage because he never ceased to invent new techniques and revitalize materials."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Musings on Fashion and Style
For lovers of vintage clothing, British supermodel and vintage fashion muse Kate Moss unveils a personally curated selection of her favorite couture and costume pieces from the Museo de la Moda, the world-class fashion museum in Santiago, Chile. International fashion icon Kate Moss and the premier South American fashion museum Museo de la Moda meet in this undeniably stylish volume that celebrates iconic vintage fashion moments throughout history. The Museo de la Moda, founded in 1999, opened in 2007, and directed by Chile's first textile industry scion Jorge Yarur Bascuñán, is one of the world's most important but least-known museums of its kind, housing exquisite garments from nineteenth...
Olivier Theyskens
The first complete monograph on Olivier Theyskens surveys his twenty-year career and documents the highly anticipated return of his eponymous label. Olivier Theyskens’s refined sensibilities earned him international acclaim as the dark prince of late 1990s couture. From his first saturnine collections, to his new vision for Rochas, to his patterns and textiles at Nina Ricci, to his years designing for Theyskens’ Theory, the designer has proved himself a master of couture, semi-couture, and prêt-à-porter. Celebrated for his fine tailoring, romantic silhouettes, and gothic palette, Theyskens transforms each house he helms. This distinctive volume charts the twenty-year development of an ...
Vionnet
Acclaimed mistress of the bias cut, Madeleine Vionnet won huge praise for her innovative and daring fashion designs in the '20s and '30s. Her remarkable dresses, perfectly geometrical yet apparently limp and shapeless until worn, were first noticed in Paris by the artist Lanthelme, who helped her to establish her own house. Vionnet reached the pinnacle of her enormous success in the early 1930s, with an international clientele and a workforce of 1200 women.
Brussels Touch
- Explores the influence of Brussels on contemporary Belgian fashion, from the '80s to today - With personal contributions from fashion and design heavyweights such as Jean-Paul Knott, Olivier Theyskens, Anthony Vaccarello, Marine Serre, Cédric Charlier, Annemie Verbeke, Jean-Paul Lespagnard, Ester Manas and many more - Opens with a preface by Lydia Kamitsis, a conservationist at the Musée de la Mode et du Textile in Paris and teacher at the University of the Sorbonne Belgian fashion, an important presence on the world couture stage since the 1980s, is the subject of many books, studies, and exhibitions. The focus of attention, however, is often on the Antwerp Fashion Academy and the famous Antwerp Six. This book goes a step further by investigating the influence of Brussels designers and the famous Brussels fashion school, La Cambre, on what is collectively referred to as Belgian fashion, and identifies the people and ideas that set the Brussels fashion world apart.
Dressing Modern Frenchwomen
At a glance, high fashion and feminism seem unlikely partners. Between the First and Second World Wars, however, these forces combined femininity and modernity to create the new, modern French woman. In this engaging study, Mary Lynn Stewart reveals the fashion industry as an integral part of women's transition into modernity. Analyzing what female columnists in fashion magazines and popular women novelists wrote about the "new silhouette," Stewart shows how bourgeois women feminized the more severe, masculine images that elite designers promoted to create a hybrid form of modern that both emancipated women and celebrated their femininity. She delves into the intricacies of marketing the new...
The Cult of Beauty
Surveys the aesthetic movement in Victorian England, showcasing artwork from the time period and describing its followers, the different art media used, phases, and eventual exploitation for commercial gain.
The Design Collective
The rise of social networking and open-source technology, the return of community-focussed activities (e.g. gardens, knitting groups, food cooperatives) and creative collectives across the fields of design and the visual arts have reawakened the discourse around human capital, flat structures and collectives as a means for ‘making’ the things of everyday life. As the essays presented in this collection illustrate, there is an emerging field of discourse about the potential of the collective as an organising and generative community structure that links creativity, social change and politics. Furthermore it is clear that in this developing context there are a number of issues central to d...
