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Norman Blamey
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London Calling
Between the postwar years and the 1980s in Britain, and in particular in London, a number of figurative painters simultaneously reinvented the way in which life is represented in art. Focusing on the depiction of the human figure, these artists rendered the frailty and vitality of the human condition. Offering a fresh account of developments that have since characterized postwar British painting, this catalogue focuses on Michael Andrews, Frank Auerbach, Francis Bacon, Lucian Freud, R. B. Kitaj, and Leon Kossoff— artists who worked in close proximity as they were developing new forms of realism. If for many years their efforts seemed to clash with dominant tendencies, reassessment in recen...
The Painting of Stephen Cook
This beautifully illustrated monograph, including more than 50 colour plates of the artist’s work—most of which appear here for the first time—is the first critical study of the work of the artist Stephen Cook (born 1952), and will serve as both an introduction to, and analysis of, his output in the context of a tradition of figurative art in post-war Britain. The scrutiny of the subjects of these paintings point to a representation of a reality outside of the flux of things and of our everyday experience, albeit one that is derived from the immediately recognisable natural world. This is achieved not only through a method of close observation, but through the rigour of the application of that observation.
Family & Friends
Published to coincide with the Norfolk Portraits exhibition at the Castle Museum, Norwich, in September 1992, this book is a history of portraiture in Norfolk.
The Pursuit of the Real
It attempts to show some of the connections between our most important figurative painters, working today with all the confidence and power of maturity, and those artists who advanced realist painting before the Second World War: Sickert, Bomberg, Spencer and Coldstream. Also includes works by Michael Andrews, Frank Auerbach, Francis Bacon, Lucian Freud, Leon Kossoff, John Lessore , Euan Uglow, and John Wonnacott.--Cf. Editor's preface.
Renegotiations
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Identity and Image
This book explores the image and identity of émigré painters, sculptors and graphic artists from Nazi Germany in Britain between 1933 and 1945. It focuses on a neglected field of Exile Studies, that of exiled artists in Britain. Methodologies used in this study have been developed by Exile Studies and History of Art, but also by Postcolonialism, scholars of which usually apply their ideas to the Afro-Asian emigration of the second part of the twentieth century. Thus this study represents methodologically a new way of looking at the emigration from Nazi Germany. Identity and Image is divided into five chapters: After an introductory Chapter One (historiography of the topic, methodology of t...
Michael Andrews
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Wood Engraving & the Woodcut in Britain, C.1890-1990
This book traces the history of xylography, the art of wood engravings and woodcut.
