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My encounter with Jacob, “my calling” My life changing experience started many years ago, when a messenger from God asked me to acknowledge the word of God; I was at a train station with two of my boys, now in their thirties; My messenger had a limp in his leg, he was in his seventies, olive skinned, with thin build, he carried nothing and with many people around he chose me to talk to and my boys where witnesses to his presence; He asked if we could talk about God; he said he came from the Holy Land and that God healed him from a light beaming from the heavens while in his tent; he wanted me to receive his words, to read the word from God, and what was my beliefs in God. I replied that ...
Jesus son of God is our Game Changer In our Lord Jesus Christ there is always hope for all who have faith and trust in his Holy name; trusting in him because he has changed the world; our life is so brief yet he came to give us life and everlasting hope. Jesus son of God is our game changer; he came to our world over 2000 years ago, to tell his parables, stories about how things will go; and the things our Messiah said still haunt the world today; he taught about love and faith, to believe in all he teaches, he taught us truth. We who believe hunger and thirst for this amazing man who came to save all; we “think” then say; we should think more like him, and try harder and do what he says...
Lynda La Plante is Britain's most successful and well known screenwriter and the first woman to win the prestigious Dennis Potter writers award. This critical introduction focuses on three innovative serials from La Plante - 'Widows' (ITV 1983), 'Prime Suspect' (ITV 1991) and 'Trial and Retribution' (ITV 1997).
This comprehensive book reveals how movies are really made, from soup to nuts, by the deal makers, laborers, artists, craftspeople, technicians, and executives--in their own words.
"But somewhere along the line, the beast they awakened took on a life of its own, and by the 1990s production budgets had escalated as quickly as profits. Hollywood entered a topsy-turvy world ruled by marketing and merchandising mavens, in which flops like Godzilla made money and hits had to break records just to break even. The blockbuster changed from a major event that took place a few times a year into something that audiences have come to expect weekly, piling into the backs of one another in an annual demolition derby that has left even Hollywood aghast.".
From one of our most astute contemporary writers, Amy Wilentz, comes an irreverent, inventive portrait of the state of California and its unlikely governor, Arnold Schwarzenegger. The prizewinning author, a lifelong easterner and an outsider in the West, takes the reader on a picaresque journey from exclusive Hollywood soirees to a fantasy city in the Mojave desert, from the La Brea Tar Pits to celebrity-besotted Sacramento, from the tents of Skid Row to surf-drunk Malibu, from a snowbird retreat near Mexico to the hippie preserve of tide-beaten Big Sur, along the way offering up sharp observations on politics, fund-raising, the water supply, the Beach Boys, earthquake preparedness, home eco...
From Sean Connery to Roy Rogers, from comedy to political satire, films that include espionage as a plot device run the gamut of actors and styles. More than just "spy movies," espionage films have evolved over the history of cinema and American culture, from stereotypical foreign spy themes, to patriotic star features, to the Cold War plotlines of the sixties, and most recently to the sexy, slick films of the nineties. This filmography comprehensively catalogs movies involving elements of espionage. Each entry includes release date, running time, alternate titles, cast and crew, a brief synopsis, and commentary. An introduction analyzes the development of these films and their reflection of the changing culture that spawned them.
Here is a comprehensive survey of the film and television career of London-born director Andrew V. McLaglen. An opening biography considers the events and circumstances that contributed to his development as a filmmaker, including his relationships with his actor father Victor McLaglen, fellow director John Ford, and motion picture icon John Wayne, who collaborated with Andrew McLaglen on such films as McLintock! (1963), Hellfighters (1968), The Undefeated (1969) and Chisum (1970). An extensive annotated filmography covers every theatrical feature film McLaglen directed, as well as his television productions and the films he worked on prior to becoming a director. Appendices provide information on the numerous documentaries in which McLaglen has appeared, and a list of stage plays he has directed since his retirement from motion pictures in 1989.