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Would you kill for your art? Would it kill for you? A painter who kills with blood-tinged pigment. A tattoo artist with a dark past who treats with demons. A sculptor on Venus who carves his life’s history into ice at the cost of his sanity. A ceramic vase that might avenge the life of a murder victim. A haunted song that drives listeners to kill. Art surrounds us. It entertains and nurtures. And for some it can do far more. It can protect a family over generations or bridge the boundary between the realms of the living and the dead. It can be a curse or a boon, a path to riches or to damnation. In Artifice and Craft, speculative fiction authors Lyndsay E. Gilbert, Laura E. Price, Adam Stemple, Brian K. Lowe, James R. Tuck, Briana Una McGuckin, Jordan Davidson, James Maxey, Madeline Dau, Joel Armstrong, C.E. Murphy, Mark Painter, Alex Bledsoe, Alethea Kontis, Gerri Leen, and Jelena Dunato craft tales of art and artistry that are shaded with the supernatural, tuned to the fantastic, and glazed with the unexpected. So listen, watch, admire. But don’t touch, and don’t turn your back. Because these works of art are far more than they seem.
Fiction has a special role in the way we relate to each other. Fiction can take us outside of our own experience and give us a small hint of what it's like to be someone else. Speculative fiction - including steampunk - has always been a metaphorical mirror to our own society, allowing us to see ourselves and our behaviors from the outside in ways that we otherwise couldn't. It's not magic. It's the interworking of dozens of finely machined gears. It's the craftswoman adjusting the tension on a spring so it doesn't break. It's the stoker making sure the furnace fires stay burning. It's the conductor collecting tickets, the passengers watching the landscape roll by, the excited child standing next to the engineer who gets to pull the cord and hear the train's steam whistle. It might not be magic, but it's still amazing. Especially with a project like Steampunk Universe, making an anthology of steampunk stories that feature diverse characters who are disabled or aneurotypical. Join editor Sarah Hans, our cover artist James Ng, and contributors Ken Liu, Jody Lynn Nye, Maurice Broaddus, Malon Edwards, Emily Cataneo, Pip Ballantine and nine others today.
From Ellen Datlow (“the venerable queen of horror anthologies” (New York Times) comes a new entry in the series that has brought you stories from Stephen King and Neil Gaiman comes thrilling stories, the best horror stories available. For more than four decades, Ellen Datlow has been at the center of horror. Bringing you the most frightening and terrifying stories, Datlow always has her finger on the pulse of what horror readers crave. Now, with the thirteenth volume of the series, Datlow is back again to bring you the stories that will keep you up at night. Encompassed in the pages of The Best Horror of the Year have been such illustrious writers as: Neil Gaiman, Stephen King, Stephen Graham Jones, Joyce Carol Oates, Laird Barron, Mira Grant, and many others. With each passing year, science, technology, and the march of time shine light into the craggy corners of the universe, making the fears of an earlier generation seem quaint. But this light creates its own shadows. The Best Horror of the Year chronicles these shifting shadows. It is a catalog of terror, fear, and unpleasantness as articulated by today’s most challenging and exciting writers.
"The Mediterranean is a liquid road connecting places and people. Ships, words and stories travel on its waves. Sometimes fantastic creatures, hidden in the hold. The Mediterranean speaks many languages; some of them we don't recognize anymore. They are ancient, but never really dead. This speculative fiction anthology collects twenty-four pieces of fiction and poetry, new and old, and some things that are in between, because we don't believe in boundaries. It gathers Mediterranean stories with a horror twist and horror stories with a Mediterranean flavour--caring sea monsters, still dripping and briny; brave mermaids, merciless ghosts and bizarre creatures--including extracts in nine different languages and many different styles."--Page 4 of cover.
An empty mind is a safe mind. Yulia's father always taught her to hide her thoughts and control her emotions to survive the harsh realities of Soviet Russia. But when she's captured by the KGB and forced to work as a psychic spy with a mission to undermine the U.S. space program, she's thrust into a world of suspicion, deceit, and horrifying power. Yulia quickly realizes she can trust no one—not her KGB superiors or the other operatives vying for her attention—and must rely on her own wits and skills to survive in this world where no SEKRET can stay hidden for long.
Everyone knows that the hero always saves the damsel in distress. Well, it's time for that to change! These distressing damsels don't need a hero, they can save themselves! Featuring 20 stories inspired by classic fairy tales, this anthology shows that not every damsel needs a prince in shining armor to rescue her. Including stories inspired by Rapunzel, Little Red Riding Hood, Cinderella, Sleeping Beauty, The Little Mermaid, Beauty and the Beast, Thumbelina, Snow White, The Little Match Girl, Puss in Boots and more!
"In the late 16th–18th centuries, a literate Scottish household was likely to own two books: the Bible and the poems of Sir David Lyndsay. This collection is both an accessible introduction to new readers, for whom there are on-the-page annotations and references, and a valuable resource for specialists, who will appreciate the freshly-established texts. The supplemental notes illustrate the richness of Lyndsay's language and explain numerous references of the time, while an introduction provides biographical information and discusses important features of Lyndsay's poetry"--Publisher.