You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
This dictionary documents alchemical symbolism from the early centuries AD to the late-twentieth century, for use by historians of literary culture, philosophy, science and the visual arts, and readers interested in alchemy and hermeticism. Each entry includes a definition of the symbol, giving the literal (physical) and figurative (spiritual) meanings, an example of the symbol used in alchemical writing, and a quotation from a literary source. There are fifty visual images of graphic woodcuts, copperplate engravings and hand-painted emblems, some reproduced here for the first time.
None
Includes sixteen essays that represent how challenging, stimulating, and far-ranging are the efforts to read Milton critically and deeply. This collection deals with the issue of evil, world of Milton's masque and the many worlds of his epic Paradise Lost.
Pataphysica 4 present the strange "conclusion" to Alfred Jarry's 1907 Symbolist novel The She-Dragon, Part 1 having appeared in Pataphysica 2 (iUniverse, 2004). It also holds the central, pivotal chapter of the novel, which describes a battle that, while entirely modern, reads like ancient myth, conjuring such texts as the Bhagavad-Gita and Homer's Iliad. Annotations highlight Jarry's alchemical symbolism (among other things), alchemy being the ancient "art and science" studied in secret by such modern scientist/philosophers as Gottfried Leibniz and Isaac Newton. Pataphysics is the science of imaginary solutions, and for Jarry, although there is no other imagination than the scientific, mode...
This landmark interdisciplinary study shines the light of religious Hermetism on Love’s Labour’s Lost, King Lear, Othello and The Tempest and reveals the ‘religion of the mind’ found in the Corpus Hermeticum to be a source of Shakespeare’s understanding of human psychology.
More than any other book of the last fifty years (and perhaps ever), the Harry Potter novels have captured the imagination of children and adults around the world. Yet no one has ever been able to unlock the secret of Harry's wild popularity . . . until now. Updated and expanded since its original publication as Looking for God in Harry Potter (and now containing final conclusions based on the entire series), How Harry Cast His Spell explains why the books meet our longing to experience the truths of life, love, and death; help us better understand life and our role in the universe; and encourage us to discover and develop our own gifts and abilities.
Contemporary Paganism is a movement that is still young and establishing its identity and place on the global religious landscape. The members of the movement are simultaneously growing, unifying, and maintaining its characteristic diversity of traditions, identities, and rituals. The modern Pagan movement has had a restless formation period but has also been the catalyst for some of the most innovative religious expressions, praxis, theologies, and communities. As Contemporary Paganism continues to grow and mature, new angles of inquiry about it have emerged and are explored in this collection. This examination and study of contemporary Paganism contributes new ways to observe and examine other religions, where innovations, paradoxes, and inconsistencies can be more accurately documented and explained.
The notion of "magic" is a current popular culture phenomenon. Harry Potter, the Lord of the Rings, the commercial glamour of the footballer and the pop idol surround us with their charisma, enchantment, and charm. But magic also exerts a terrifying political hold upon us: bin Laden's alleged March 28 e-mail message spoke of the attacks on America in form of "crushing its towers, disgracing its arrogance, undoing its magic." The nine scholars included in this volume consider the cultural power of magic, from early Christianity and the ancient Mediterranean to the curious film career of Buffalo Bill, focusing on topics such as Surrealism, France in the classical age, alchemy, and American fundamentalism, ranging from popular to elite magic, from theory to practice, from demonology to exoticism, from the magic of memory to the magic of the stage. As these essays show, magic defines the limit of both science and religion but as such remains indefinable.
This multicultural reference work on Jewish folklore, legends, customs, and other elements of folklife is the first of its kind.
Each of the figures examined in this study”John Dee, John Donne, Sir Kenelm Digby, Henry and Thomas Vaughan, and Jane Lead”is concerned with the ways in which God can be approached or experienced. Michael Martin analyzes the ways in which the encounter with God is figured among these early modern writers who inhabit the shared cultural space of poets and preachers, mystics and scientists. The three main themes that inform this study are Cura animarum, the care of souls, and the diminished role of spiritual direction in post-Reformation religious life; the rise of scientific rationality; and the struggle against the disappearance of the Holy. Arising from the methods and commitments of ph...