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Examination of the striking new style of writing history in the twelfth century, by men such as Gaimar, Wace and Ambroise.
Exploring how the depiction of otherness or alterity during the Middle Ages became problematic in the aesthetics of the Romance epics written during the centuries of the Crusades, this book offers a vital contribution to the growing interest in the way foreign women are presented in the texts of the Latin West and will be of consuming interest to students in women's studies, cultural studies, and medieval literature.The texts considered are written in the major European languages of the time and range from the Song of Songs through Geoffrey of Vinsauf's Poetria Nova to such epics and romances as Erec et Enide,Doon de Maience, Fierabras, La Prise d'Orange, Ars Versificatoria, The Sowdone of Babylone, and Parzifal.
Constance Hoffman Berman presents an indispensable collection of the most influential and revisionist work to be done on religion in the Middle Ages in the last two decades. Bringing together an authoritative list of scholars from around the world, this book is a comprehensive compilation of the most important work in this field. Medieval Religion provides a valuable service for all those who study the Middle Ages, church history or religion.
Metatheater and Modernity: Baroque and Neobaroque is the first work to link the study of metatheater with the concepts of baroque and neobaroque. Arguing that the onset of European modernity in the early seventeenth century and both the modernist and the postmodernist periods of the twentieth century witnessed a flourishing of the phenomenon of theater that reflects on itself as theater, the author reexamines the concepts of metatheater, baroque, and neobaroque through a pairing and close analysis of seventeenth and twentieth century plays. The comparisons include Jean Rotrou's The True Saint Genesius with Jean-Paul Sartre's Kean and Jean Genet's The Blacks; Pierre Corneille's L'Illusion com...
First comprehensive examination of the ways in which printers, publishers and booksellers adapted and rewrote Arthurian romance in early modern France, for new audiences and in new forms.
This admirable survey...compact, smoothly written, easy to read and digest, yet indicative throughout of profound scholarship and an obvious mastery of the field, Cornish Literatureprovides an enduring guide to this small but significant genre. The three Middle Cornish plays -- in English titles, The Creation of the World, Life of St Meriasekand the tripartite Ordinalia -- accompany a long Pascon agan Arluth, a verse Passion of our Lord' and the odd fragment... His last chapter, Survivals and Revivals', is a fair but detached account covering a long (1611 to 1992) phase that will also interest sociologists. The chief strength of his book is the textual analysis of the main plays, placing them alongside medieval English drama as well as the larger European manifestation of religious drama and the complex question of all their biblical and quasi-biblical sources. There is a useful bibliography. Modestly priced, Brian Murdoch's scholarly and attractive guide should appeal to many beyond medievalist circles; it will not be superseded for a long time.' THE TIMES LITERARY SUPPLEMENT BRIAN MURDOCHis head of the Department of German at Stirling University.
Late Medieval and Renaissance art was surprisingly pushy; its architecture demanded that people move through it in prescribed patterns, its sculptures played elaborate games alternating between concealment and revelation, while its paintings charged viewers with imaginatively moving through them. Viewers wanted to interact with artwork in emotional and/or performative ways. This inventive and personal interface between viewers and artists sometimes conflicted with the Church s prescribed devotional models, and in some cases it complemented them. Artists and patrons responded to the desire for both spontaneous and sanctioned interactions by creating original ways to amplify devotional experie...
This study examines the sociocultural context of Bern's ten Reformation plays, authored by Niklaus Manuel and Hans von Rute, and argues that Protestant theater was instrumental in creating cultural community among an urban populace estranged from Catholic tradition.
A study of the immensely popular "lives" of Christ and the Virgin in medieval France.
The study of early drama has undergone a quiet revolution in the last four decades, radically altering critical approaches to form, genre, and canon. Drawing on disciplines from art history to musicology and reception studies, The Routledge Research Companion to Early Drama and Performance reconsiders early "drama" as a mixed mode entertainment best studied not only alongside non-dramatic texts, but also other modes of performance. From performance before the playhouse to the afterlife of medieval drama in the contemporary avant-garde, this stunning collection of essays is divided into four sections: Northern European Playing before the Playhouse; Modes of Production and Reception; Reviewing the Anglophone Tradition; The Long Middle Ages Offering a much needed reassessment of what is generally understood as "English medieval drama", The Routledge Research Companion to Early Drama and Performance provides an invaluable resource for both students and scholars of medieval studies.