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At the Source
In 2016, a landscape painting of the source of the Lison river in France was discovered at the University of Pennsylvania and was immediately suspected of being the work of Gustave Courbet. A lengthy authentication process began in 2018 and the landscape has since been confirmed as his. This new discovery sparked an exhibition showcasing the infamous painter's modern landscape practice. Titled At the Source: A Courbet Landscape Rediscovered, the exhibition is presented at the University of Pennsylvania's Arthur Ross Gallery from February 4 to May 28, 2023. Focusing on the motifs of grottos and waterfalls in his art of the 1850s and 1860s, it highlights the rediscovered Courbet painting, not ...
John Moore
Industrial landscape paintings by John Moore executed over the last three decades focus on sites from Conneaut, Ohio, to Waterville, Maine, including Coatesville, Pennsylvania, a locale that has inspired such American Modernists as Charles Demuth and Ralston Crawford. Moore has revisited places in Coatesville and throughout the rustbelt that he painted twenty years ago, and his most recent paintings depict changes that have occurred there since. One of his subjects, Paradise, Pennsylvania, 13 miles west of Coatesville, is Amish farmland, a place that is the rural antithesis of industrial life in America. Moore is often described as one of the one of the leading realist painters of his genera...
The Art of Whitfield Lovell
A graduate of Cooper Union in New York, Whitfield Lovell has been widely exhibited worldwide. His work is in such museums as the Metropolitan Museum of Art, the Whitney Museum of American Art, the National Museum of American Art, and the Seattle Art Museum. Inspired by his own background, global travels and research, and large collections of found objects and photographs of African Americans, Lovell creates tableaux and full-scale, site-specific installations, melding two-dimensional charcoal drawings with the three-dimensional objects. His works reveal African American spirituality and recall the memories and the heritage that define who African Americans are.
An Inner World
An Inner World, the exhibition co-curated by Lara Yeager-Crasselt of the Leiden Collection and Heather Gibson Moqtaderi, Assistant Director and Associate Curator of the Arthur Ross Gallery, features exceptional paintings by seventeenth-century Dutch artists working in or near the city of Leiden, including nine paintings from the Leiden Collection (New York) and one painting from the Clark Art Institute (Williamstown, MA). Ten rare seventeenth-century books drawn from the collection of University of Pennsylvania's Kislak Center for Special Collections, Rare Books and Manuscripts expand the intellectual and cultural contexts of the exhibition. Works by Gerrit Dou, Gabriel Metsu, Domenicus van ...
Monet's Minutes
A stunning exploration of the vital links between Claude Monet's Impressionism and the time technologies that helped define modernity in the nineteenth century Monet's Minutes is a revelatory account charting the relationship between the works of Claude Monet (1840-1926)--founder of French Impressionism and one of the world's best-known painters--and the modern experience of time. André Dombrowski illuminates Monet's celebration of instantaneity in the context of the late nineteenth-century time technologies that underwrote it. Monet's version of Impressionism demonstrated an acute awareness of the particularly modern pressures of time, but until now scholars have not examined the histories...
American Stories
They also consider the artists' responses to foreign prototypes, travel and training, changing exhibition venues, and audience expectations. The persistence of certain themes--childhood, marriage, the family, and the community; the attainment and reinforcement of citizenship; attitudes toward race; the frontier as reality and myth; and the process and meaning of making art--underscores evolving styles and standards of storytelling. Divided into four chronological sections, the book begins with the years surrounding the American Revolution and the birth of the new republic, when painters such as Copley, Peale, and Samuel F. B. Morse incorporated stories within the expressive bounds of portraiture. During the Jacksonian and pre-Civil War decades from about 1830 to 1860, Mount, Bingham, Lilly Martin Spencer, and others painted genre scenes featuring lighthearted narratives that growing audiences for art could easily read and understand.
My People
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John Singleton Copley in America
A lavish, illustrated volume published to accompany an exhibition of Copley's work that will be traveling to several cities during 1996. The focus is on the paintings, miniatures, and pastels that Copley, the supreme portraitist of the colonial era, produced before he moved to London in 1774. Four principal essays place the work in historical and social context and bring new critical methods to bear upon the study of portraits and portraiture; four shorter essays treat various aspects of Copley's art and techniques. Catalog entries detail the sitters' lives and the ways in which Copley enhanced his subjects' status and presence. 10x12.25" Annotation copyright by Book News, Inc., Portland, OR
The Shores of a Dream
The Shores of a Dream: Yasuo Kuniyoshi's Early Works in America considers the paintings and drawings that Kuniyoshi produced before his first trip to Europe in 1925. As he began to develop his painting style, the young artist also executed a series of pen-and-ink drawings that were finished works of art in themselves. Kuniyoshi's sensuous still lifes and fanciful landscapes fused the principles of American modernism with artistic elements from folk art and from his Japanese heritage. His works are by turns humorous, fantastic, and serenely elegant, and always worthy of close examination. The Shores of a Dream reveals the range of Kuniyoshi's early work, from broadly painted canvases that echo American folk painting to pen-and-ink works reminiscent of Japanese sumi ink drawing or touched with delicate washes of color. Comparative examples from traditional Japanese art and Kuniyoshi's contemporaries, including Charles Demuth, Georgia O'Keefe, and Marsden Hartley, suggest how he fused both traditional and modernist artistic principles into a style uniquely his own.
High Society
High Society brings to life the colourful personalities of the major artists and patrons of the Gilded Age.
