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Cooking by the Book
The essays collected here explore the power and sensuality that food engenders within literature. The book permits the reader to sample food as a rhetorical structure, one that allows the individual writers to articulate the abstract concepts in a medium that is readily understandable. The second part of Cooking by the Book turns to the more diverse food rhetorics of the marketplace. What, for example, is the fast food rhetoric? Why are there so many eating disorders in our society? Is it possible to teach philosophy through cookery? How long has vegetarianism been popular?
Greatest hits, 1995-2001
12 greatest hit poems from the career of Lynn Veach Sadler. Part of the Invitational national archive, Poets Greatest Hits. --Pudding House Publications.
Changing the Story
"... Changing the Story... gives an excellent and well-informed account of the differences between the American, Canadian, British, and French attitudes towards feminism and feminist fiction and literary theory.... a very readable book... which reminds us that literature can change us, and that through it we can change ourselves." -- Margaret Drabble "A distinctive contribution -- clear, elegant, precise, and well-read -- to the feminist discussion of narrative, of Anglo/Canadian/white North American novelists, and to contemporary fiction. Greene tracks how feminist novelists draw upon, and negotiate with traditional narrative patterns, and how their critical approach implicates, and provoke...
Mola ... Person
“A lesson in history, almost. A lesson in anthropology, tradition, and roots, almost. A lesson in the power of poetry to rend and blend reality and imagination until they become indistinguishable from each other, certainly. Who is the clone of whom? Who is the real child and grown-up artist? Dr. Lynn Veach Sadler’s exquisite handling of language tools and penetrating research into the subject matter of this chapbook and her unique way of mixing what we know and what we think we know provide us with a landscape that necessitates only the closing of eyes in order to transport us to this world of blurred colors and blurred consciousness. Along the way, we get an ‘answer’ for what happen...
Roads of Her Own
Reading Jack Kerouac's classic On the Road through Virginia Woolf's canonical A Room of One's Own, the author of this book examines a genre in North American literature which, despite its popularity, has received little attention in literary and cultural criticism: women's road narratives. The study shows how women's literature has inscribed itself into the American discourse of the Whitmanesque "open road", or, more generally, the "freedom of the road". Women writers have participated in this powerful American myth, yet at the same time also have rejected that myth as fundamentally based on gendered and racial/ethnic hierarchies and power structures, and modified it in the process of writin...
Southern Writers at Century's End
Since the end of World War II, the South has experienced a greater awareness of growth and of its accompanying tensions than other regions of the United States. The rapid change that climaxed with the war in Vietnam, the Cold War, civil rights demonstrations, and Watergate has forced the traditional South to come to terms with social upheaval. As the essays collected in Southern Writers at Century's End point out, southern writing: since 1975 reflects the confusion and violence that have characterized late-twentieth-century public culture. These essays consider the work of twenty-one of the foremost southern writers whose most important fiction has appeared in the last quarter of this centur...
The Christ-Haunted Landscape
Here are Susan Ketchin's discerning interviews with twelve southerners living and writing in the South, and along with a piece of fiction by each are her penetrating commentaries about the impact of southern religious experience on their work. A little more than a generation ago Flannery O'Connor made a startling observation about herself and her fellow southerners: “By and large,” she said, “people in the South still conceive of humanity in theological terms. While the South is hardly Christ-centered, it is most certainly Christ-haunted. The southerner who isn't convinced of it is very much afraid that he may have been formed in the image and likeness of God.” Guided by O'Connor's perceptive commentary about southerners in general, Susan Ketchin has created a deeply revealing collection that mirrors the pervasive role of religion in the literature by the recent generation of notable southern writers. Ketchin confirms that “old-time religion” remains a potent force in the literature of the contemporary South.
Evening Street Review Number 30
Evening Street Review is centered on the belief that all men and women are created equal, that they have a natural claim to certain inalienable rights, and that among these are the rights to life, liberty, and the pursuit of happiness. With this center, and an emphasis on writing that has both clarity and depth, it practices the widest eclecticism. Evening Street Review reads submissions of poetry (free verse, formal verse, and prose poetry) and prose (short stories and creative nonfiction) year-round. Submit 3-6 poems or 1-2 prose pieces at a time. Payment is one contributor’s copy. Copyright reverts to author upon publication. Response time is 3-6 months. Please address submissions to Editors, 2881 Wright St, Sacramento, CA 95821-4819. Email submissions are also acceptable; send to the following address as Microsoft Word or rich text files (.rtf): editor@eveningstreetpress.com. For submission guidelines, subscription information, published works, and author profiles, please visit our website: www.eveningstreetpress.com.
Interpreting SAMSON AGONISTES
Joseph Wittreich reveals Samson to be an intensely political work that reflects the heroic ambitions and failings of the Puritan Revolution and the tragic ambiguities of the era. He sees in the work not the purveyance of Medieval and early Renaissance typological associations but an interrogation of them and a consequent movement away from them. Originally published in 1986. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
George Herbert and the Mystery of the Word
This book presents a historically and critically nuanced study of George Herbert's biblical poetics. Situating Herbert's work in the context of shifting ideas of biblical mystery, Gary Kuchar shows how Herbert negotiated two competing impulses within post-reformation thought—two contrary aspects of reformation spirituality as he inherited it: the impulse to certainty, assurance, and security and the impulse to mystery, wonder, and wise ignorance. Through subtle and richly contextualized readings, Kuchar places Herbert within a trans-historical tradition of biblical interpretation while also locating him firmly within the context of the early Stuart church. The result is a wide ranging book that is sure to be of interest to students and scholars across several different fields, including seventeenth-century studies, poetry and the bible, and literature and theology.
