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Poetry. "With Lynne Thompson's new collection FRETWORK, one feels spurred on by the cherished care of the American emigrant story, which is to say, the buttressing and fortifying of the dream with all of its inglorious and joyous plots and twists. In mapping her supreme truths, imaginatively rendered here in measured lines, embedded in the familial tales, and felt music of her people, she embraces that light that emanates from language that aligns memories to myth. This is a masterful collection; one cannot help but surrender to the calling of its cadences that resonate widely into the 21st century."--Major Jackson
Start With A Small Guitar is a collection of poems that celebrate and suspect, extol and mourn, despise and pray for love, in all its terrible, bewitching iterations. Neither biography nor dream--despite the way the poems' titles mislead--these poems hope and pretend and, in the end, wrap their arms around a language that gives rise to love's mysteries. The poet hopes that her readers will be bewildered and enchanted, infuriated and left on a precipice. -- Provided by publisher.
The first comprehensive history of theater in Pittsburgh is offered in this volume that relates the significant influence and interpretation of urban socioeconomic trends in the theatrical arts and the role of the theater as an agent of social change.
Organised into sections on society, culture, politics and the economy, and embracing subjects as diverse as women novelists and village crafts, this book argues that almost everywhere we look in the countryside between the wars there were signs of new growth and dynamic development.
Explaining the fundamental Eight Principles through core programmes, this volume provides 'Pilates prescriptions' for your specific needs. It serves as a useful reference for various issues ranging from back pains, posture problems to prevention of common sports injuries and training your children to use their bodies properly.
Shortlisted 2013 for the Dobbie Award for first-time published Australian female author. Set in Perth and Margaret River Region,1945-1965, the novel shows the impact of war on family. As the story shifts back and forth in time and place through three different perspectives, the dislocating effects build into the 1960s with devastating results.
Nanami has two grandmothers: Baachan, who lives with her family in Japan, and Gram, who lives in Maine. When Gram comes to visit Japan for the first time, Baachan takes them on a trip to the seashore to gather Wakame, a long, curvy seaweed that floats near the shore. While the three gather their equipment and ride the streetcar toward the beach, Baachan explains about Wakame and other seaweeds. Gram remembers how some seaweeds are used in Maine, and Nanami translates for them both. By the end of the day, Nanami's two grandmothers discover that they have much in common despite being from countries that were on opposing sides in the war they both remember vividly. Now, looking out across the beach at the surfers, dog-walkers, and seaweed gatherers, they share an understanding of this precious peace.
"In this splendidly entertaining debut, Jeannine Hall Gailey offers us a world both familiar and magical-filled with fairytale and mythology characters that are our own bedfellows-we wake up with Philomel and argue with Ophelia while half-listening to a Snow Queen, amidst Spy Girls, Amazons and Mongolian Cows. The wild and seductive energy in this collection never lets one put the book down. (In fact, any one who opens the collection in the bookstore and reads such poems as The Conversation and Job Requirements: A Supervillain's Advice will want to buy the book ) For her delivery is heart-breaking and refreshing, so the poems seduce us with the sadness, glory and entertainment of our very own days. Propelled by Jeannine Hall Gailey's alert, sensuous, and musical gifts, the mythology becomes all our own." -Ilya Kaminsky, author of the award-winning Dancing in Odessa