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She never presumed she herself would live out her natural life, so she wouldn’t mind leaving this world through an untimely death. Hornclaw is a sixty-five-year-old female contract killer who is considering retirement. But while on an assassination job for the ‘disease control’ company she works for, Hornclaw makes an uncharacteristic error, causing a sequence of events that brings her past well and truly into the present. Threatened with sabotage by a young male upstart and battling new desires and urges when she least expects them, Hornclaw steels her resolve, demonstrating that no matter their age, the female of the species is always more deadly than the male.
Lynsey Hanley was born and raised just outside of Birmingham on what was then the largest council estate in Europe, and she has lived for years on an estate in London's East End. Writing with passion, humour and a sense of history, she recounts the rise of social housing a century ago, its adoption as a fundamental right by leaders of the social welfare state in the mid-century and its decline - as both idea and reality - in the 1960s and '70s. Throughout, Hanley focuses on how shifting trends in urban planning and changing government policies - from Homes Fit for Heroes to Le Corbusier's concrete tower blocks, to the Right to Buy - affected those so often left out of the argument over council estates: the millions of people who live on them. What emerges is a vivid mix of memoir and social history, an engaging and illuminating book about a corner of society that the rest of Britain has left in the dark.
'[A] warm and witty exploration of our hidden vulnerabilities' - Catherine Simpson Ellis's life has crumbled without warning. Her boyfriend has fallen in love with someone else, her job's insecure, her bank account's empty and she has a mouthful of unreliable teeth. Forced back to her childhood home, there is little in the way of comfort. Her mum is dating a younger man (a dentist, no less) and is talking of selling the house, her sister, Lana, is furious all the time, and a distant cousin has now arrived from the States to stay with them. During a long, hot Edinburgh summer, Ellis's world spins out of control. She's dogged by toothache, her ex won't compensate her for the flat and somehow she's found herself stalking his new lover on Facebook. Will Ellis realise before it's too late that the bite she was born with is worth preserving? 'There's a huge emotional punch packed into this deceptively light novel' - Sally Morris, Daily Mail For fans of Sally Rooney, Meg Mason and Marian Keyes.
“Spectacular . . . a majestic collection that captures the drama of everyday existence in war zones around the world. . . . There is no disputing the impact of this revelatory collection.” —BookPage From the Pulitzer Prize-winning photojournalist and New York Times bestselling author, a stunning and personally curated selection of her work across the Middle East, South Asia, and Africa Pulitzer Prize–winning photojournalist and MacArthur Fellow Lynsey Addario has spent the last two decades bearing witness to the world’s most urgent humanitarian and human rights crises. Traveling to the most dangerous and remote corners to document crucial moments such as Afghanistan under the Talib...
"Society is often talked about as a ladder, from which you can climb from bottom to top. The walls are less talked about. This book is about how people try to get over them, whether they manage to or not. In autumn 1992, growing up on a vast Birmingham estate, the sixteen-year-old Lynsey Hanley went to sixth-form college. She knew that it would change her life, but was entirely unprepared for the price she would have to pay- to leave behind her working-class world and become middle class. In this empathic, wry and passionate exploration of class in Britain today, Lynsey Hanley looks at how people are kept apart, and keep themselves apart - and the costs involved in the journey from 'there' to 'here'."
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Society is often talked about as a ladder, which you can climb from bottom to top. The walls are less talked about. This book is about how people try to get over them, what it means if they do, and how class affects all of us. In autumn 1992, growing up on a vast Birmingham estate, the sixteen-year-old Lynsey Hanley went to sixth-form college. She knew that it would change her life but was entirely unprepared for the price she would have to pay: to leave behind her working-class world and become middle class. Class remains resolutely with us, as strongly present as it was fifty years ago. Entwined with it is the idea of aspiration, of social mobility, which received wisdom tells us is an une...
"Lyndsey Hookway's Holistic Sleep Coaching is the book parent-child health professionals have been waiting for regarding infants', children's, and parents' sleep! The comprehensive content is comprised of an exhaustive review of the sleep literature, but it is written in a reader-friendly discussion format. (References are cited in text with the complete reference list in APA alphabetical style at the end.) I appreciate Hookway's evidence-based approach with its emphasis on human sleep biology. Yet her words constantly model sensitivity and empathy for both babies/children and their parents who live in our current cultural landscape of isolated nuclear families dependent on two incomes and o...
In November 1915 Albert Einstein published his now world famous General Theory of Relativity. It introduced to physics new concepts such as the curvature of space-time and black holes, and it made extraordinary predictions about the bending of light around massive objects. I Am Because You Are is a timely collection of new fiction and non-fiction from novelists and science writers, all inspired by the theme of Relativity. Each contributor treats the subject in their own unique way. The results are charming, witty, sometimes challenging but always accessible, presenting complex science themes in imaginative, easy-to-understand and highly entertaining ways. Contributors include novelists Andrew Crumey, Dilys Rose and Neil Williamson, alongside popular science communicators Pedro Ferreira and Jo Dunkley. Edited by acclaimed, award-winning writers Pippa Goldschmidt and Tania Hershman, I Am Because You Are will be the perfect vehicle for both press and public to engage with this landmark centenary.
War photographer Lynsey Addario's memoir It's What I Do is the story of how the relentless pursuit of truth, in virtually every major theatre of war in the twenty-first century, has shaped her life. Lynsey Addario was just finding her way as a photographer when September 11th changed the world. One of the few photojournalists with experience in Afghanistan, when she is asked to return and cover the American invasion, she makes a decision - not to stay home, not to lead a quiet or predictable life, but to set out across the world, face the chaos of crisis, and make a name for herself. Addario travels with purpose and bravery, photographing the Afghan people before and after the Taliban reign,...